曹禺在《雷雨》中创作的人物形象丰富复杂，每个角色都有丰富的内涵，其中的恋爱人物承担了推动情节发展的最重要任务。本文主要通过剖析恋爱人物的行为目的，来探索曹禺为何如此设置情节、表达了什么内容、想展现人物什么样的精神需求。《雷雨》中的人物关系复杂、情感曲折，这样的情节和 结构设置让戏剧冲突能够得到更好的呈现，曹禺想表达的情感也能在激烈的 冲突中更好地诠释，紧扣主题。曹禺为不同类型的人物设置了不一样的类型， 但基于人物的情感均为悲剧结尾，曹禺通过不同恋爱人物的爱情悲剧来表达 他对于这个人物的不完满之处和社会对其的影响。恋爱人物的爱情并非是人 物最终的追求，从人物对待爱情的态度中可以看出人物的精神需求，如周冲对 完美世界的向往、周萍对社会规则的害怕、繁漪对挣脱束缚的需要。《雷雨》 中的恋爱人物的爱情往往不是纯粹的爱情，而是掺杂了人物在这个压抑的环 境中真正的需求以及他们所缺失的东西，试图从爱情中获取，同时这种人物塑 造能够更好地让曹禺表达情感及反对封建大家庭的内涵。

Cao Yu created rich and complex characters in "Thunderstorm," each with profound meanings. At the same time, the romantic characters bear the most important task of driving the plot forward. This article mainly explores why Cao Yu set the plot in such a way, what content he expressed, and the true spiritual needs of the characters by analyzing the objectives of the romantic characters' actions. The relationships and emotional twists of the characters in "Thunderstorm" are complex, and such plot and structural settings allow the dramatic conflicts to be better presented, and Cao Yu's emotions can also be better interpreted in the intense conflicts, closely related to the theme. Cao Yu set different types for different characters, but based on the tragic ending of their emotions, Cao Yu expressed his dissatisfaction with these characters and the impact of society on them through the love tragedies of different romantic characters. The love of the romantic characters is not their ultimate pursuit. From their attitude towards love, one can see the spiritual needs of the characters, such as Zhou Chong's yearning for a perfect world, Zhou Ping's fear of social rules, and Fanyi's need to break free from constraints. The love of the romantic characters in "Thunderstorm" is often not pure love, but mixed with their true needs and what they lack in this oppressive environment, trying to obtain from love. At the same time, such character shaping can better express Cao Yu's emotions and the connotation of opposing the feudal family.