中文题名: | 试论建国初期中国古典舞“身韵”的表现样式 |
姓名: | |
保密级别: | 公开 |
论文语种: | chi |
学科代码: | 130205 |
学科专业: | |
学生类型: | 学士 |
学位: | 艺术学学士 |
学位年度: | 2007 |
学校: | 北京师范大学 |
校区: | |
学院: | |
第一导师姓名: | |
第一导师单位: | |
提交日期: | 2007-06-30 |
答辩日期: | 2007-06-01 |
外文题名: | Discussion on the form of ‘Shen yun’of the Chinese Classical dance after the Early Years of the Founding of PRC |
中文关键词: | |
外文关键词: | Chinese classical dance ; ‘Shen yun’ ; opera dance ; traditional |
中文摘要: |
本文以中国古典舞身韵与中国戏曲舞蹈身法关系的演变为主线,依据戏曲舞蹈的身段训练加以分析,借此说明中国古典舞与中国戏曲舞蹈有着密切的关系。重要的是在这个关系中可以看到中国古典舞作为 一个舞种、作为一个教学体系特别是作为表演体系逐步的完善过程。从戏曲舞蹈的基本训练到身体的韵律着手这样的回顾,对于中国古典舞的学科建设来说,是必要且非常重要的。 |
外文摘要: |
The evolutions and relations between the Chinese classical dance and the body exercise of opera dance is the main line of this thesis. According to the body exercise of opera dance to analyze, for illustrating, the Chinese classical dance and the opera dance are closely connected. It is important that we can see the Chinese classical dance , as one style of the dancing, and especially in the teaching system,improving process step by step。In retrospect like this,is indispensable and also significant for the subject construction of our Chinese classical dance. |
参考文献总数: | 11 |
馆藏号: | 本130205/07017 |
开放日期: | 2024-03-14 |