六如诗歌取材于生活，表现出了很强的日常特色，这也正是六如同古文辞派诗歌创作大相径庭之处。本文选取能够说明六如上述特点的以即事、即目为题的诗歌，以及对后代诗人带来重大影响的组诗《嵯峨别业四时杂兴三十首》为切入点，对六如的诗歌做个案分析。六如诗歌展现出对真实的注重，在一定程度上受到了绘画的影响，吸收了写生画重视写实的因素。六如生活的时代，日本写生画开始流行，六如居于京都期间，相交往的就有善画僧人维明禅师、著名画家圆山应举等人。六如的诗歌中有很多以即事、即目为题的作品，将这些诗歌与平安时期及六如同时代诗人的汉诗对比后可以看出，六如的此类诗歌创作摆脱了流于空泛的弊病，通过动词、形容词的使用、名词的选用细致刻画出了自己的生活见闻。有些作品通过诗画方面的对照，可以大体还原当时的情境，具有很高的写实性。《嵯峨别业四时杂兴三十首》是六如在范成大影响下创作的田园组诗，诗歌集中表现了六如在嵯峨居住时期生活的方方面面，对饮食生活的描述是其中的一个要点。其中关于松蕈与莼菜的作品尤能体现他融铸日常生活于诗歌的特点。六如作有多首关于松蕈的诗歌，在当时诗坛上是绝无仅有的。松蕈自古为日本人喜爱，也是和歌、俳句中的传统题材。但对六如而言，松蕈不是单纯的食物，更是家乡的象征，六如的诗涉及到了松蕈生长、贩卖、采摘、食用的各个方面，既不同于日本文学的传统样式，也不同于中国诗歌，是六如用汉诗来展现日本风土人情重要例子。莼菜也是日本和歌中的风物，在中国由于《晋书》对《世说新语》的修改，使其同鲈鱼一道成为的思乡喻指。六如笔下的莼菜不带有日本和歌中的传统趣味，但同样可以说明汉诗在“日本化”阶段，是如何用扩大了题材范围并被用来表现诗人个人生活的。

The poems of Riku Nyo are based on daily life and have shown great characteristic of everyday life, which make them quite different from the poems of Classical Prose and Vesion School. This essay selected such kind of Ji Shi and Ji Mu poems of Riku Nyo to make specific analysis, especially focused on the circle poems Feelings of the Four Seasons at the Cuo E Villa: 30 Poems.The poems of Riku Nyo have shown the emphasis on reality, which to some degree is influenced by the drawing and used realistic method of the sketch. The sketchs which painted the life and nature became popular in Japan during the time when Riku Nyo lived in Kyoto. Many painters had be in contact with Riku Nyo, including Chan master Wei Ming who was good at drawing and the famous painter Yuanshan Yingju. Many of Riku Nyo’s poems are titled with “Ji Shi” and “Ji Mu”. Comparing these poems to the poems of Pingan Era and Riku Nyo’s contemporary poets’ Chinese poems, Riku Nyo’s poems had get rid of the problems of being hollow and general when he pictored the daily life he had seen by elaborately selecting and using of the verbs, adjectives and nouns. The poems are so realistic that some scenes in them at that time can even be vividly represented refering to the paints.Feelings of the Four Seasons at the Cuo E Villa: 30 Poems are the circle poems that Riku Nyo made under the influence of Fan Chengda. The poems have shown various aspects of Riku Nyo’s life when he lived in Cuo E, especially the description of his diet. The poems about pine mushroom and brasenia schreberi showed Riku Nyo’s characteristic to apllying the daily life into his poems. Riku Nyo has a lot of poems about pine mushroom, which was rare at that time. Pine mushroom was Japanese’s love for a long time and was the traditional material of waka and haiku. But to Riku Nyo, pine mushroom was not only food, but also the symbol of hometown. Riku Nyo’s poems invovled the aspects of pine mushroom’s growth, sale, picking up and eating. They were different from Japanese traditional poems and Chinese poems, which Riku Nyo used to represent the customs of Japan. The brasenia schreberi was also the materials of Japanese waka. In China the Jin Shu altered the what was said in Shi Shuo Xin Yu, and made the brasenia schreberi the symbol of nostalgia as well as weever. The brasenia schreberi in Riku Nyo’s poems did not have the characteristic of Japanese waka’s traditional esthetic appreciation. It also had shown that how Chinese poems had expanded their boundaries of writing materials and were used to represent poets’ daily life during the period of Chinese poems’s japanization.