本文以《本次列车终点》《长恨歌》《匿名》三部作品为例，分析了王安忆小说中的时间问题。这三部作品均体现了特定时代的集体无意识。《本次列车终点》将个人时间历史化、集体化；《长恨歌》展现了女性时间与宏大历史叙事之间的关系，即女性时间解构了政治的宏大叙事；《匿名》超越了线性时间和现代文明，其实质是一部披着现实主义外衣的科幻小说。

This paper analyzes the time theme in Wang Anyi’s novels by taking three works as examples: The End of the Train, The Song of Everlasting Sorrow, and Anonymity. These three works all embody the collective unconsciousness of a specific era in Chinese contemporary history. The end of this train combines individual experience and history together. The Song of Everlasting Sorrow shows the relationship between “female time” and grand historical narrative, that is, female time deconstructs grand political narrative. Anonymous surpasses linear time and modern civilization. Its essence is a science fiction under the cloak of realism.