近年来，国内综艺蓬勃发展，其中观察类真人秀以其新颖的形式在众多综艺中突出重围，其将纪实拍摄与观察评论两个现场相结合，打造了双重叙事空间，为慢综艺提供了全新的发展赛道。其中，情感观察类真人秀受到了市场的关注与受众的青睐，它主要聚焦情感层面，根据节目主体与观察内容的不同，可细分为恋爱推理类真人秀、代际情感类真人秀与夫妻情感类真人秀等等。本文主要针对恋爱推理类真人秀，分析该类型节目的创作特色，了解其在市场上大行其道的原因与探究媒体愿意去尝试的价值，同时提出我国恋爱推理类真人秀的现存困境与优化策略，为创新节目、推动节目类型化发展及可持续发展提供建议。

      基于此研究，笔者将采用文本分析法、文献研究法与个案研究法，选取2020年恋爱推理类的黑马综艺《我们恋爱吧》第二季为主要案例，全方位研究该节目的创作特色，分析其与同类节目相比的创新之处，并提出批判性的思考。本文将从以下方面展开研究：

     首先，阐述恋爱推理类真人秀的概况。主要对现阶段暂未被明确定义的恋爱推理类真人秀进行界定，梳理该类型节目的起源与发展，包含对国内外恋爱推理类节目的对比，并从受众需求、行业市场、政治政策三个角度分析恋爱推理类真人秀在中国兴起的社会语境。

  其次，从主题、主体、叙事与制作四个方面分析个案《我们恋爱吧》第二季的创作特色。主题上，节目主打“恋爱假期”，满足了后疫情时代年轻人对美好生活的向往，核心展示了当下年轻人的恋爱观念与社交方式；主体上，节目根据受众喜好与热点趋势选取了具有典型性与差异化的素人嘉宾，配置了偏向女性视角的观察嘉宾；叙事上，节目主要采用双重叙事空间丰富了节目的层次，扩宽了观察视角；制作上，制作者精细布局，在前期策划中，节目以半透明化的设计营造了窥视空间、全开放式的内容顺应了年轻调性，在中期干预中，导演组弱化了节目规则，同时把握了节目的热点话题，在后期设计中，工作人员通过后期制作与直播策划，加强了节目的看点，提高了粉丝粘性。
     最后，结合《我们恋爱吧》第二季的创作特色，分别从内容、主体、叙事、制作与商业层面探讨中国恋爱推理类真人秀的现存问题与今后的发展对策。针对内容同质化、嘉宾筛选欠考虑、空间编排失逻辑、后期恶剪惹争议、商业植入不合理等问题，建议中国恋爱推理类真人秀创新节目内容、精心甄选星素嘉宾、调整空间编排结构、强化后期制作、改善商业植入方式等。

    In recent years, domestic variety shows have been developing vigorously, among which observation reality shows, with their novel forms, stand out among many variety shows. By combining documentary shooting with observation and comment, they create a dual narrative space and provide a brand new development track for slow variety shows. Among them, the emotion observation reality shows have attracted the attention of the market and the favor of the audience. It mainly focuses on the emotion level. According to the difference of the main body of the program and the observation content, it can be subdivided into love reasoning reality shows, intergenerational emotion reality shows, couples emotion reality shows and so on. This paper mainly analyses love reality reasoning class, the creation of this type of program features, understand the causes of its popular in the market and to explore the value of media were willing to try, and puts forward our country reality love detective existing dilemma and optimization strategy, for the innovation program, development program typed and provides Suggestions for sustainable development.

    Based on this study, the author will adopt text analysis method, literature research method and case study method to select the second season of We Love, a dark horse variety show in the category of love reasoning in 2020, as the main case, comprehensively study the creation characteristics of this program, analyze its innovation compared with similar programs, and propose critical thinking. This paper will carry out research from the following aspects:
    First of all, the general situation of love reasoning reality shows is expounded. This paper mainly defines the love reasoning reality shows that have not been clearly defined at the present stage, sorts out the origin and development of this type of shows, including the comparison of love reasoning shows at home and abroad, and analyzes the social context of the rise of love reasoning reality shows in China from the perspectives of audience demand, industry market and political policy. 
    Secondly, it analyzes the creative characteristics of the second season of We Love from four aspects of theme, subject, narrative and production. Thematically, the program focuses on "love vacation", which meets young people's yearning for a better life in the post-epidemic era. The core shows young people's love concepts and social ways nowadays. In terms of the main body, the program selects typical and differentiated plain guests according to audience preferences and hot trends, and allocations observers with a female perspective. In terms of narration, the program mainly adopts dual narrative space to enrich the level of the program and broaden the perspective of observation. Production, producers of fine layout, in the prophase planning, program with semitransparent built into space design, the content of all open conform to the young, in the middle of intervention, directors weaken the program rules, at the same time grasp the hot topic in the show, in the later design, staff through post-production and live planning, strengthened the programs to watch, Improved fan stickiness.

    Finally, combined with the creation characteristics of the second season of We Love, the paper discusses the existing problems and future development countermeasures of Chinese love reasoning reality shows from the aspects of content, subject, narrative, production and business. In view of the problems such as homogeneity of content, ill-considered guest selection, illogical spatial arrangement, bad late-stage cuts and controversies, and unreasonable commercial implantation, it is suggested that Chinese love reasoning reality shows should innovate program contents, carefully select star guests, adjust spatial arrangement structure, strengthen post-production, and improve commercial implantation methods.