芭蕾舞剧《卡门》将西班牙奔放、洒脱的风格和芭蕾规范而严谨的足尖技术实现有机结合。为塑造“卡门”这一角色形象，舞者利用打破垂直重心、灵活使用髋关节以及深度交叉双腿等动作表达，加之藏在细枝末节中的撩拨与挑逗元素来刻画与丰盈人物形象。正是由于这些动作元素和细节点缀所产生的整体印象，才塑造出这样热情奔放、风情万种，又桀骜不驯、向往自由的“卡门”角色形象。

本选题以芭蕾舞剧《卡门》为研究对象，立足于多学科视角，通过文本解读、舞蹈动作分析等角色研究方法，分析“卡门”的角色建构方式。文章分为三章，第一章节通过“从哪里来”、“如何融合”、“融合中的让步”等问题切入，阐述芭蕾与民族动作元素的融合与发展历程。探析“西班牙舞蹈”如何与古典芭蕾的足尖技术进行融合，最终形成如今独具西班牙风格特色的芭蕾舞剧。第二章中，通过舞台形象、角色关系、动作表达三方面，探究芭蕾舞剧中“卡门”的角色塑造方法。最后，结合前文中的梳理与整合，关注芭蕾舞剧《卡门》的创作方法对个人原创作品《笄年如斯》所带来的启示与实践指导。以艺术创作实践为例，探析该原创作品如何在中国文化意蕴中孕育而生，以期为芭蕾舞与民族动作元素进行融合的模式与方法提供理论支撑。

Carmen is a ballet that combines the spontaneity and spontaneity of Spanish style with the rigour and discipline of ballet pointe technique. To portray the character of Carmen, the dancers use movement expressions such as the breaking of the vertical centre of gravity, the flexible use of the hip joints and the deep crossing of the legs, as well as elements of titillation and teasing hidden in the smallest details to portray and enrich the character. It is the overall impression created by these movement elements and details that creates the character of Carmen, who is passionate and spirited, yet untamed and freedom-seeking.
This selection is based on the ballet Carmen and analyses the character construction of Carmen through a multidisciplinary approach, including textual interpretation and dance movement analysis. The article is divided into three chapters, the first of which is devoted to the fusion and development of ballet and ethnic movement elements through the questions of "where does it come from", "how does it fuse" and "concessions in fusion". The history of ballet. This chapter explores how "Spanish dance" was fused with the pointe technique of classical ballet, resulting in a ballet that is now uniquely Spanish in style. In the second chapter, the characterisation of Carmen in the ballet is explored through three aspects: stage presence, character relationships and movement expression. Finally, the study will focus on the inspiration and practical guidance that the creation of the ballet "Carmen" can bring to the original work "Maturing Years Like This". Using artistic practice as an example, this original work is explored in the context of Chinese culture, with a view to providing theoretical support for the mode and method of integrating ballet and ethnic movement elements.