舞蹈是一种抒情的艺术，舞蹈作品的情感通过人体动作形式并由其他形式要素辅助，可将情感转化为情感的形式，因此观众先看到是这些情感的具体形式，进而得到对形式的意味的体会。同时，编导的舞蹈创作活动也都是以舞蹈形式的创作为中心。由此，笔者将舞蹈作为视觉艺术考察，借鉴静态视觉艺术的“视觉形式”概念，以舞蹈创作理论作为支撑对舞蹈视觉形式进行分析。从舞蹈的艺术特性看，舞蹈的视觉形式强调了舞蹈艺术的审美独立性与纯粹性。从观众的接受角度看，对舞蹈视觉形式的设计构建了其视觉意义，确保了作品的整体性，从而形成“有意味的形式”。

笔者在毕业作品《寻找规则》创作过程中，视觉形式的创作意识贯穿于创作活动全过程，旨在通过舞蹈视觉形式传达意识与情感，并针对创作过程及呈现效果进行深入思考，从而完成舞蹈创作观念的更新。同时，基于现在追求视觉刺激效应的时代背景，笔者运用案例分析的方式对国内外优秀作品及现象进行梳理和总结，并结合笔者个人的实践过程，对视觉形式于舞蹈创作中的运用、表现、价值、趋向进行探究。

本文以视觉形式为出发点，探究其在舞蹈领域中的应用，并对笔者毕业作品《寻找规则》的视觉形式创造进行分析。全文共分为三章。

第一章为视觉形式及相关理论概述。首先对视觉艺术领域的视觉形式概念进行概述，再延伸至舞蹈领域，对舞蹈视觉形式内涵、层次和要素进行分析。

第二章通过对国内外经典舞蹈作品与现象的分析和梳理，总结其在舞蹈创作中的价值体现，确定该切入点于舞蹈领域的实际作用和重要意义，同时针对舞蹈视觉形式的应用现状进行趋向性分析。

第三章根据笔者在舞蹈创作中的实践经验，对毕业作品《寻找规则》进行视觉形式创造的具体分析，包括视觉形式创作的要素、表现方式和最后呈现的审美特征三方面。

Dance is a lyrical art, the emotions of dance works through the form of human movements and assisted by other formal elements, can transform emotions into emotional forms, so the audience first sees the specific forms of these emotions, and then gets an experience of the meaning of form. At the same time, the choreographer's dance creation activities are also centered on the creation of dance forms. Therefore, the author takes dance as a visual art investigation, draws on the concept of "visual form" of static visual art, and analyzes the visual form of dance with the support of dance creation theory. From the perspective of the artistic characteristics of dance, the visual form of dance emphasizes the aesthetic independence and purity of dance art. From the perspective of audience acceptance, the design of the visual form of dance constructs its visual meaning, ensures the integrity of the work, and thus forms a "meaningful form".

In the process of creating the author's graduation work "Looking for Rules", the creative consciousness of visual form runs through the whole process of creative activities, aiming to convey consciousness and emotion through the visual form of dance, and to think deeply about the creative process and presentation effect, so as to complete the renewal of dance creation concept. At the same time, based on the current background of the pursuit of visual stimulation effect, the author uses case analysis to sort out and summarize excellent works and phenomena at home and abroad, and combines the author's personal practice process to explore the use, performance, value and trend of visual form in dance creation.

This paper takes visual form as a starting point to explore its application in the field of dance, and analyzes the visual form creation of the author's graduation work "In Search of Rules". The full text is divided into three chapters.

The first chapter provides an overview of visual forms and related theories. Firstly, the concept of visual form in the field of visual arts is summarized, and then extended to the field of dance, and the connotation, level and elements of visual form of dance are analyzed.

The second chapter summarizes the value of classic dance works and phenomena at home and abroad, determines the practical role and significance of the entry point in the field of dance, and analyzes the trend of the application status of dance visual forms.

The third chapter analyzes the visual form creation of the graduation work "Looking for Rules" based on the author's practical experience in dance creation, including the elements of visual form creation, the mode of expression and the aesthetic characteristics presented at the end.