中文题名: | 20世纪60至80年代“贵州诗人群”研究 |
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保密级别: | 公开 |
论文语种: | 中文 |
学科代码: | 050106 |
学科专业: | |
学生类型: | 博士 |
学位: | 文学博士 |
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学位年度: | 2019 |
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学院: | |
研究方向: | 中国当代诗歌 |
第一导师姓名: | |
第一导师单位: | |
提交日期: | 2019-06-24 |
答辩日期: | 2019-05-29 |
外文题名: | A STUDY OF "GUIZHOU POETS GROUP" ON 1960S TO 1980S |
中文关键词: | |
中文摘要: |
本论文试图通过对“贵州诗人群”在1960至1980年代的诗歌创作及相关文学活动的挖掘和辨析,以期呈现在文学“一体化”时代的“无群”现象中,“贵州诗人群”这一独具个性的文学群体生成、发展的历史脉络,并以此展现中国当代新诗发展进程中“中心”区域之外丰富驳杂的文学现象。
导论部分,首先对“无群”时代的“贵州诗人群”以及20世纪60至80年代这一时间范围进行了界定和分析,勾勒出这一诗群从1960至1980年代的诗歌创作、文学沙龙、自办刊物以及相关的文学活动。其次,梳理了学界关于“贵州诗人群”的相关研究,力图重审关于1960至1980年代诗歌尤其是关于“地下诗歌”的研究范式及其问题所在。
第一章主要勾勒“贵州诗人群”圈子的形成及刊物同人的集结。论文梳理了诗群中代表诗人的诗歌活动,包括《启蒙》、《崛起的一代》和《中国诗歌天体星团》等刊物的创办,诗群成员如何在“魅力型权威”人物的引领下相聚相识,因共同的时代处境和人生创伤体验而彼此惺惺相惜的过程。
第二章着重讨论“贵州诗人群”的诗歌创作及文学主张。论文通过对诗群创作的“潜伏”期、“爆发”期及“沉寂”期的梳理,对诗群从1960至1980年代的诗歌创作实绩进行了总结;从诗群对“野性”诗风的召唤和“血性”精神的书写两个方面凸显了“贵州诗人群”阳性化的诗歌风格特征。
第三章主要讨论“贵州诗人群”的精神追求。论文认为,其诗歌中的“我”和“火”的意象乃是对诗人英雄情结的文学表达;立足于边缘地带的诗群却极具中心意识,突破边缘化的人生困境,进行去贵州化的别样书写,着力开掘民族历史文化的痛感;同时,诗群明确提出诗歌要抒写“敞亮的生命”,实现“情感的革命”诉求,崇尚对人的精神发现。以上种种皆指向“贵州诗人群”鲜明的启蒙精神和思想特质。
第四章重点考察“贵州诗人群”生成的文化资源。现代转型期贵州的人文生态、贵州的人文先锋传统以及社会思想的缝隙和盲点共同构成了诗群生成发展的文学基因;诗群的沙龙生活以及与其他思想群落间的互动交流成为诗群生成的重要助推力;而诗人漂泊与流浪的人生经历及其对诗歌创作、刊物创办等文学活动的坚持成为诗群在文化洼地中挣扎的文学行为表征,实现了对其文学理想和精神追求的执守和对边缘格局的冲闯。
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外文摘要: |
This paper attempts to dig and analyze the poetry creation and related literary activities of "Guizhou Poet Group" from 1960 to 1980's, in order to present the historical context of the generation and development of "Guizhou Poet Group" as a unique literary group in the era of "integration" of literature, and to show the "central" region in the development process of contemporary Chinese NEW poetry. Externally abundant and miscellaneous literary phenomena.
In the introduction part, the author first defines and analyses the "Guizhou poets group" in the "no group" era and the time range from 1960 to 1980's, and outlines the poetry creation, literary salons, self-run publications and related literary activities of this group from 1960 to 1980's. Secondly, it combs the relevant research on "Guizhou poetry group" in academic circles, trying to re-examine the research paradigm and problems of poetry from 1960 to 1980s, especially on "underground poetry".
The first chapter mainly outlines the formation of the circle of "Guizhou poets" and the gathering of publications and colleagues. This paper reviews the poetry activities of the poets, including the founding of the Enlightenment, the Rising Generation and the Astronomical Cluster of Chinese Poetry, and how the members of the poetry group get to know each other under the guidance of the "charismatic authority" figures and regret each other because of the common situation of the times and the traumatic experience of life.
The second chapter focuses on the poetry creation and literary proposition of "Guizhou Poets Group". By sorting out the "latent" period, the "explosive" period and the "silent" period of poetry creation, this paper summarizes the achievements of poetry creation of the poetry group from 1960 to 1980's, and highlights the positive characteristics of the poetry style of "Guizhou poets group" from the two aspects of the poetry group's call for "wild" poetry style and the writing of "blood" spirit.
The third chapter mainly discusses the spiritual pursuit of "Guizhou poets group". The paper holds that the images of "I" and "fire" in his poems are literary expressions of the poet's heroic complex; the poems based on the marginal areas have a very central consciousness, break through the marginalized life predicament, carry out different writing to Guizhou, and strive to explore the pain of national history and culture; at the same time, the poems clearly put forward that poetry should express "bright life" and realize "emotion". The revolutionary appeal of sense advocates the spiritual discovery of human beings. All of the above points to the distinct enlightenment spirit and ideological characteristics of "Guizhou Poets Group".
Chapter IV focuses on the cultural resources generated by the "Guizhou Poets Group". In the period of modern transformation, Guizhou's humanistic ecology, Guizhou's humanistic avant-garde tradition and the gap and blind spot of social thought constitute the literary gene for the generation and development of poetry groups; the salon life of poetry groups and the interaction and exchange with other ideological communities become the important driving force for the generation of poetry groups; and the life experiences of poets'vagrancy and their literary activities such as poetry creation, publication creation and so on. Persistence has become a symbol of the literary behavior of poets struggling in the cultural depression, and has realized their adherence to their literary ideals and spiritual pursuit and their breakthrough of the marginal pattern.
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参考文献总数: | 203 |
作者简介: | 杨洋,贵州人,主要从事中国现当代文学研究 |
馆藏地: | 图书馆学位论文阅览区(主馆南区三层BC区) |
馆藏号: | 博050106/19012 |
开放日期: | 2020-07-09 |