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中文题名:

 印象派美术风格在动画场景中的视觉呈现    

姓名:

 刘玮    

保密级别:

 公开    

论文语种:

 chi    

学科代码:

 135105    

学科专业:

 广播电视    

学生类型:

 硕士    

学位:

 艺术硕士    

学位类型:

 专业学位    

学位年度:

 2024    

校区:

 北京校区培养    

学院:

 艺术与传媒学院    

研究方向:

 数字媒体艺术    

第一导师姓名:

 王海波    

第一导师单位:

 艺术与传媒学院    

提交日期:

 2024-06-25    

答辩日期:

 2024-05-23    

外文题名:

 On the Visual Presentation of Impressionist Art Style in Animation Scenes.    

中文关键词:

 印象派美术风格 ; 动画场景 ; 色彩氛围 ; 笔触质感 ; 构图    

外文关键词:

 Impressionist art style ; animation scenes ; color atmosphere ; brushstroke texture ; composition    

中文摘要:

在现代动画的发展历程中,数字技术的进步日新月异,越来越多的创意理念得以在动画作品中实现,带来了动画产量的显著增长。然而,随着观众审美水平的不断提升,人们对于动画作品的质量要求也越来越高。为了满足这一需求,动画制作人们开始尝试各种创新,其中包括打破传统二维艺术风格,将独特的水彩画、油画甚至艺术风格画作与动画的动态视觉结合起。这种融合为观众带来了前所未有的视觉冲击和艺术体验,深受喜爱。

印象派艺术,其在艺术史上占据着举足轻重的地位,以其鲜明独特的美术风格而著称。与追求客观描述事物的传统学院派不同,印象派艺术家更注重捕捉事物的主观瞬间印象,其作品中色彩丰富、画面绚丽,极富视觉冲击力。这种风格与动画场景的结合,不仅相得益彰,更是为动画艺术开辟了新的表现手法和视觉空间。

印象派美术风格的特色表现在多个方面。在色彩运用上,印象派艺术家大胆突破了传统色彩的限制,运用三原色原理,通过环境色来还原自然光线,形成互补色强烈对比,从而强调了色彩的明亮感和生动性。在笔触和质感上,他们常用“色块”和“色点”的形式,短促而密集地排列,创造出一种独特的画面机理感,表现了光与色的瞬间变化。在题材选择上,印象派画家偏爱描绘日常生活中的平凡景象,虽然画面中没有明确的主题,但却流露出一种愉悦和乐观的情绪,通过明亮鲜艳的色彩,传达出对生活的热爱和积极向上的态度。

毕业设计作品《放飞》正是从印象派美术风格中汲取灵感,参考了印象派画家的作品,通过实践探索将印象派艺术风格与三维动画技术相结合的可能。在色彩、光影、贴图、建模、构图、题材以及渲染等方面做出了创新性的改变,使得印象派美术风格能够在三维动画世界中得以重现和发扬。这部作品不仅是对动画艺术形式的一次大胆尝试,也是对印象派艺术在当代视觉艺术中应用的一次有益探索。

外文摘要:

In the development process of modern animation, the rapid progress of digital technology has enabled more and more creative concepts to be realized in animation works, leading to a significant increase in animation production. However, with the continuous improvement of the audience's aesthetic level, people's requirements for the quality of animation works are also increasing. In order to meet this demand, animation producers have begun to explore various innovations, including breaking traditional two-dimensional art styles and combining unique watercolor, oil painting, and even artistic style paintings with the dynamic visual effects of animation. This fusion brings unprecedented visual impact and artistic experience to the audience, which is deeply loved.

Impressionist art holds a pivotal position in art history and is known for its distinct and unique artistic style. Unlike the traditional academic school that pursues objective description of things, Impressionist artists focus more on capturing subjective instantaneous impressions of things. Their works are rich in colors, vivid in visuals, and highly visually impactful. The combination of this style with 3D animation scenes not only complements each other, but also opens up new expressive techniques and visual space for animation art.

The characteristics of Impressionist art style are reflected in multiple aspects. In terms of color application, Impressionist artists boldly broke through the limitations of traditional colors, using the principle of three primary colors to restore natural light through environmental colors, forming strong complementary color contrasts, thereby emphasizing the brightness and vividness of colors. In terms of brushstrokes and texture, they often use the forms of "color blocks" and "color dots", arranged in a short and dense manner, to create a unique sense of visual mechanism, representing the instantaneous changes of light and color. In terms of subject selection, Impressionist painters prefer to depict ordinary scenes in daily life. Although there is no clear theme in the paintings, they express a joyful and optimistic mood, conveying a love for life and a positive attitude through bright and bright colors.

The graduation project "Flying" draws inspiration from the Impressionist art style and references the works of Impressionist painters. Through practice, it explores the possibility of combining Impressionist art style with 3D animation technology. Innovative changes have been made in color, lighting, texture, modeling, composition, themes, and rendering, enabling the Impressionist art style to be reproduced and developed in the world of 3D animation. This work is not only a bold attempt at animation art forms, but also a beneficial exploration of the application of Impressionist art in contemporary visual art.

参考文献总数:

 39    

馆藏号:

 硕135105/24009    

开放日期:

 2025-06-26    

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