中国文学传入俄罗斯，经历了18世纪至21世纪的漫长历程，包含各种文学体裁和不同文学样式的海量作品。近年来我国学术界涌现了一批高水平的俄国汉学研究成果，一批学者如李明滨、宋绍香、李逸津、阎国栋、柳若梅等都有专著及论文刊出，但这些论著多为对俄罗斯汉学史和苏联汉学史进行梳理和总结，唯缺对苏联解体后中国文学在俄罗斯传播状况的研究和概括。本文重点研究和介绍当代俄罗斯（自1991年至2010年间）中国文学在俄罗斯的译介和研究状况。自1991年苏联解体后，俄罗斯经历巨大的政治、经济变革，对于中国文学的研究也有了新的动向和新的特点。故本论文在已有丰富研究成果的基础上，依托大量一手材料进行大胆尝试，以当代俄罗斯（自1991年至2010年间）中国文学在俄罗斯的译介和传播状况为研究重点，对始于18世纪的俄罗斯对中国文学译介和研究的历史进程进行梳理。着眼于俄国汉学自身的发展规律，在丰富的原始材料的基础上建立一个宏观框架，同时细数各个时期俄国汉学家具体的研究成果，为当代俄罗斯中国文学研究提供一个全局的考虑。将零散的片段尽量还原为一段完整的历史，力图展示当代俄罗斯中国文学研究与1991年以前的中国文学研究之间的联系，挖掘俄罗斯中国文学研究的变化轨迹、内在动因及学术传承的脉络。本论文不仅要解决俄国人写了什么，怎么写的问题，还要解决俄国人为什么这样写的问题。

Chinese literature transmission to Russia has a long history, which has spanned four centuries (from 18th century to 21st century). There have been a great number of works of different types and different literary genres. In recent years，China has seen some new achievements in Russian Sinology research in academia. Some scholars, as Li Mingbin, Song Saoxiang, Yan Guodong, Li Yijin, Lin Ruomei, have many works and articles in this field. But these works are only some reviews and summaries on sinology history in the Tsarist Russia and Soviet Union periods. None has been done on the transmission of Chinese literature in Russia after the collapse of the Soviet Union. This dissertation aims to generalize the Chinese literature transmission to Russia and focus on the translations and studies of Chinese literature in contemporary Russia. Russia has experienced a great change in politics and economy since the collapse of the Soviet Union in 1991. There have been new trends and features in its Chinese literary researches. Based on previous researches and first-hand materials, this study has first tried to review the history of Chinese literature research in Russia since 18th century, and then focused on the Chinese literature translation and transmission to Russia during the period of 1991-2010. From the development of Russian sinology, the dissertation also proposes a framework and analyzes the researches of different Russian sinologists in different stages to show a complete picture of reference to Chinese literary research in Russia. Integrated with the political forms and related policies, this dissertation generalizes features and approaches of each stage, puts the scattered fragments of researches into a whole history to show some relationship between the contemporary Russian Chinese literary researches and those before 1991, and explores the changes, inner motivations and academic traditions of Chinese literary researches in Russia. The dissertation answers not only such questions as what Russian researchers have done about its Chinese literature research, but also questions as how and why they have done that.