“成长小说”是文学史上绕不开的话题，尽管20世纪初我国便有了这一载体，但受制于历史文化语境，我国的传统成长小说总是与真正的成长小说有所出入，直到20世纪90年代得到我国学界的重视，这一情形才有所好转。与中国古典成长小说不同，路内的“追随三部曲”塑造了一个又一个新时代所号召的女性形象，她们个性各异，但都独具一格，对主人公的成长起到了不同层次的作用。少年主人公们也不再是过往作家笔下的父权挑战者，而是转型时代下精神孱弱的普通少年们，用伤痛和天真换来进入成人世界的门票。笔者将以“成长仪式”和“引路人”相关理论作为理论支撑，深入探究路内笔下的女性形象在少年主人公的成长中起到的关键作用，进而分析路内在“追随三部曲”中独具一格的成长叙事风格。

"Initiation story" is an inescapable topic in the history of literature, China has had this carrier since the beginning of the 20th century, but subject to the historical and cultural context, China's traditional bildungsroman is always different from the real initiation story. Until the 90s of the 20th century, it was paid attention to by the circle of Chinese  literature, this situation has improved. Unlike classical Chinese bildungsroman, Lu Nei's "the Trilogy of Following" creates the Female image called for by the new era. They have different personalities and play different roles in the protagonist's growth process. The young protagonists are no longer the patriarchal challengers written by past writers, but ordinary teenagers who are mentally weak in the transition era, exchanging their pain and innocence for tickets to enter the adult world. The author will take the theories of "growth ritual" and "guide" as theoretical support, deeply explore the key role played by Lu Nei's female image in the growth of the young protagonist, and then analyze Lu Nei's unique growth narrative style in the " the Trilogy of Following ".