“傻子叙事”即傻子作为主叙述人讲述故事，也就是说，以傻子的叙述视角观照世界，并用傻子的独特话语模式进行讲述。叙述者承担着讲述故事的责任，作为读者和文本之间的一个隐性桥梁而存在，透过傻子的视角来进行感知，再经由其思维处理后运用语言的形式传达出来。本文的研究对象是当代小说的“傻子叙事”，在当代小说中，傻子在文本中的叙事功能被逐步开掘，无论是对主题内蕴、情节推进还是文本结构方式都有着重要作用。而对其功能进行研究，是对文本内部结构的深入探寻，在创作诗学的视角之下，力图考察和挖掘“傻子叙事”作为创作策略的内在发生机制与结构方式，以作品的叙述程式为单位，对“傻子叙事”的文本进行层层拆解，力求在这种拆解的过程中逐步解开文学创作内在的运行机制，从而揭示其本质上的叙事奥秘和美学效果。

本文在导论中对研究对象进行了厘清，主要聚焦于“傻子叙事”而非傻子形象本身，傻子不止作为人物形象存在于文本当中，而是承担起叙事者的角色，此外，确立了以创作诗学为主的研究思路，对研究对象进行文学内部的研究。正文第一章“傻子叙事”的表征，追溯了傻子故事的历史，对“傻子叙事”的发展演变脉络进行简单梳理，并对文本的第一层叙事结构进行拆解，当我们进入文本内部时，最先看到的就是文本的表征，即最外层叙述的构成，通过对叙事结构一般化程式的归纳分析，通过“脱冕-加冕”、“对立-无解”、“自欺-相信”的基本叙事模式以及参与文本结构的叙事元素来对文本进行第一个层面的分析。

第二章“傻子叙事”的创作机制，主要从内部来探讨傻子叙事的运行机制，也就是对叙事构成之外的那一层心理的、社会的或哲学的内在结构进行拆解，侧重于从“傻子”的隐喻意义与创作心理等潜在的角度来分析傻子叙事何以广泛存在。傻子作为一种隐喻性符号，是由何种社会文化因素催生而出的？从精神分析的角度来看，傻子作为多种混乱无序的精神状态的集合，又如何与文本同构？傻子叙事内部潜藏着怎样的无意识结构？叙述方式的选择关系着叙事文本最终的呈现方式，又是怎样的创作心理影响着作者选取了“傻子”这一非常态的感知与表达媒介？本章节力图从傻子作为一种符号出现在文本中的文化动因、傻子叙事背后的无意识结构以及人文精神对作者潜在创作机制的影响这三个方面介入，对以上问题进行阐释。

第三章从叙事策略的角度上来探讨傻子叙事在文本中的作用。作家赋予傻子叙述者的身份，让一个异常者来把握整篇叙事文本的走向，于创作本身而言，表现为一种新的叙事策略以及话语表达方式。本章主要从傻子的独特话语表达方式、傻子叙事的结构意义以及诗学意义三个方面进入“傻子叙事”的文本当中，一方面，作为最终的话语呈现形式，傻子叙事在话语层面承载着作家的创作意图指向，也是作家有意识进行的策略选取；另外，在叙事结构上，傻子叙事构建了一个独特叙述场域，无论是时间、空间还是文本的对话形式呈现，都打开了一种开放式的文本结构；第三，傻子叙事作为一种独特的美学形式，在语词、表述方式上都给予读者独特的艺术审美体验。

“傻子叙事”同样需要一定限度的约束，一旦超出了某种边界，语言的失控也将导致表达的失效。在结语部分，主要总结了“傻子叙事”在创作角度上为“怎么写”这一问题提供了何种思路与有效路径，以及还存在着哪些局限与困境，以期能打开更广阔的思考边界，不仅为“傻子叙事”研究提供新的外延空间与视角，也为解决创作中的普遍焦虑提供一种新的策略性思路。

The "fool narrative" is a story told by a silly person as the main narrator, who observes the world through the eyes of a silly person and expresses his or her view of the real world with words that match his or her intelligence, that is, he or she looks at the world from the perspective of a silly person and tells it with his or her unique discourse pattern. The narrator takes on the responsibility of telling the story and exists as an implicit bridge between the reader and the text, the content of which is perceived through the perspective of the fool, then processed by his mind and conveyed in the form of language. The research object of this paper is the "fool narrative" of contemporary fiction. The narrative function of the silly in the text is gradually explored, and it plays an important role in both the thematic connotation, plot advancement and text structure. Under the perspective of creative poetics, we try to investigate and explore the inner mechanism and narrative structure of the "fool narrative" as a creative strategy, dismantle the text of the "fool narrative" by taking the narrative program of the work as a unit, and try to gradually unravel the inner operating mechanism of literary creation in the process of such dismantling In this process of dismantling, we aim to gradually unravel the inner workings of literary creation, thus revealing its essential narrative mysteries and aesthetic effects.

In the introduction, the characterization of the "fool narrative" is first clarified, and the main focus is on the "fool narrative", in which the silly person is not only a character but also assumes the role of a narrator.And establishes the poetics of creation as the main research idea to conduct a literary internal study of the research object.In the first chapter of the main text, the paper traces the history of the fool's tale, briefly compares the development and evolution of the "fool's narrative".In addition, the first layer of the narrative structure of the text is dismantled, and when we enter the text, the first thing we see is the representation of the text, that is, the composition of the outermost narrative, and through the generalized program of the narrative structure, we analyze the "coronation-crowning", "opposition-no solution", "self-deception-no solution" and "self-deception-no solution" in the fool's narrative. The first level of analysis of the text is conducted through an inductive analysis of the generalized narrative structure, the basic narrative patterns of "uncrowning-crowning", "opposition-unresolved", "self-deception-belief" and the narrative elements involved in the text structure.

The second chapter, "The Creation Mechanism of Fool Narratives", focuses on the operation mechanism of fool narratives from within creation, that is, dismantling the psychological, social or philosophical inner structure beyond the narrative composition, focusing on the metaphorical meaning of "fool" and the underlying psychology of creation. It focuses on the metaphorical meaning of the "fool" and the psychology of its creation to analyze why the narrative of the fool is widespread. What are the socio-cultural factors that give rise to the silly man as a metaphorical symbol? From the perspective of psychoanalysis, how is the silly man, as a collection of multiple chaotic and disordered mental states, cohered with this article? What kind of unconscious structure lurks within the fool narrative? How does the choice of narrative style affect the final presentation of the narrative text, and what kind of creative psychology influences the author's choice of the "fool" as an extraordinary medium of perception and expression? This chapter attempts to explain the above questions from three aspects: the cultural factor of the appearance of the fool as a symbol in the text, the unconscious structure behind the narrative of the fool, and the influence of humanism on the author's potential creative mechanism.

The third chapter explores the role of the fool narrative in the text from the perspective of narrative strategy. The writer gives the fool the identity of a narrator, allowing an anomaly to grasp the direction of the entire narrative text, which represents a new narrative strategy and discourse expression for the creation itself. This chapter focuses on the unique discourse expression of the fool, the structural meaning of the fool's narrative and the poetic meaning of the text. On the one hand, as a final form of discourse presentation, the fool's narrative carries the writer's creative intention at the discourse level, and is also a conscious strategic choice made by the writer; In addition, in terms of narrative structure, the fool narrative constructs a unique narrative field, which opens up an open textual structure in terms of time, space and the dialogue form of the text; thirdly, as a unique aesthetic form, the fool narrative gives readers a unique artistic and aesthetic experience in terms of diction and expression.

In the concluding section, we summarize what kind of ideas and effective path the "fool  narrative" provides for the question of "how to write" from the perspective of creation, as well as what limitations and dilemmas still exist, in order to open up a broader boundary of thinking, not only to provide a new outreach space and perspective for the study of "fool narrative", but also to provide a new strategic idea to solve the general anxiety in creation.