在西方文学中，觉醒女性形象的解放之路是由觉醒——反抗家庭——反抗社会构成的，而在中国现代小说中，觉醒的女性形象在争取自 由与独立的的时候也经历了这样一个过程。然而，西方文学作品中觉醒的女性形象其反抗之路各有各的不同，中国现代小说中的觉醒女性却走了大致相似的道路。在抗争的道路上，中国的觉醒女性也出现了分化，大部分人走向革命，即由争取自我独立转向争取民族独立；仅有小部分女性仍以西方为参照，全力争取自我解放。可以说，中国现代小说的解放女性形象在短期内重演了 西方文学作品中女性觉醒与反抗之路，并在一定程度上表现出自己的特点。笔者在文中将典型的西方文学作品和中国现代小说中的觉醒女性形象进行了 集中整理与分析，并在最后一部分探究这种重演现象的原因一一即引进文学和翻译文学在近现代中国的兴起、发展和繁荣。

In the west literature history, the liberation of awakening female images develops along the way from awakening through rebellion against family to rebellion against society. In Chinese modern novels, awakening female images have the same experience while striving for their freedom and independency. However, the way of rebellion for different awakening women are different in western literature,while those images in Chinese modern novels are almost the same. On their way to liberate themselves, female images in Chinese modem novels develop trunk and branch. Most of them turn to revolution, which means to change striving for self-independency into national independency. Only a few women still struggle for their own liberation based on western images. In a manner of speaking, the women images in Chinese modern novels duplicated the road of awakening and rebellion in western literature works in short term and to some extent displayed their own characteristics. The typical awakening female images in both western literature and Chinese modern novels will be gathered and analyzed in this article, and the reason for this phenomenon, i.e arising, development and flourish of introduced literature and translated literature will bediscussed.