"Confucian Classics Education to Cultivate Talents" is the general outline proposed by Wang Anshi, which led to the transformation of talent policies during the Xining and Yuanfeng periods of the reign of Emperor Shenzong of the Song Dynasty. This proposal took the Three-Generation system of education as a model, aiming to use official Confucianism to guide, cultivate, and select scholars, and to output qualified officials who are proficient in the Confucian classics to the bureaucratic system. After the Shenzong reign, the Zhezong and Huizong reigns continued to inherit the principles of the New Policies, and "Confucian Classics Education to Cultivate Talents" became the main axis of the talent system in the mid-late Northern Song Dynasty. The evaluation of "Confucian Classics Education to Cultivate Talents" in later generations has been limited to the perspective of party struggles and conflicts between different schools of thought, and its historical significance has been confined to the level of supporting reforms. However, when we look back at the historical process of the conception, dissemination, and evolution of "Confucian Classics Education to Cultivate Talents," we can see that this approach is rooted in Wang Anshi's reflection on talent issues and even the culture of scholars themselves, and has the "dual nature" of political utilitarianism and conceptual and ideological paradigms. This article attempts to restore "Confucian Classics Education to Cultivate Talents" to the field of ideological development. By grasping the core proposition of "Confucian Classics Education to Cultivate Talents" that runs through the political, ideological, and academic ecology of the Northern and Southern Song dynasties, it examines the literary writings of scholars from the reigns of Emperor Renzong to Emperor Huizong (1041-1125), and attempts to re-examine the internal rationality of the interaction between Northern Song Confucion classics, ideology, and literature.
Chapter One focuses on the talent theory in the mid-late Northern Song Dynasty, and examines how the reflection on related talent systems evolved from an "off-the-record" discourse on national affairs to a historical process of becoming a consensus on the ideology of scholar-official education in the Xining New Policies, and beyond. Before the Xining era, talent theory had already become an important topic in the discourse of scholar-officials, forming a part of the reform movement since the reign of Emperor Renzong and Emperor Qingli. In the fourth year of the Jiayou era(1059), Wang Anshi outlined the Three-Generation system of talent policy in his "Memorandum to Emperor Renzong," and revealed the legitimacy of the Zhouli education system for talents, which was an article of turning point significance in the talent theory of the Northern Song Dynasty. Based on this coordinate, the talent theory rooted in the Zhouli system ran through the late reign of Emperor Renzong to the reign of Emperor Shenzong, and produced multiple speech spaces in different discourse carriers. Among them, the four levels of discourse, namely policy discourse, commentary on classics, memorials to the throne, and trial policy, can roughly encompass the process of the Zhouli system of education for officials breaking through from an off-the-record, diverse discourse field and becoming the official ideology under the joint force of power, system, and Confucian classics in the Shenzong reign. As a part of the New Policies, the transformation of the talent system led by "Confucian Classics Education to Cultivate Talents" continued to persist in the policies of the Northern Song Dynasty in its later period, and was absorbed as a part of the "Shenzong Statute" ,showing a different trajectory of intergenerational fluctuations from other measures of the New Policies. The process of "Confucian Classics Education to Cultivate Talents" infiltrating the scholar-official society from top to bottom through the consensus of ideas between Wang Anshi and Emperor Shenzong is also an important perspective for observing the mutual stimulation between politics, thought, and discourse in the mid-late Northern Song Dynasty.
Chapter Two examines how " Statute", which are the core of "Confucian Classics Education to Cultivate Talents", shape the identity consciousness and literature style of scholars. The core content of Wang Anshi's reliance on the interpretation of the Neo-Commentaries on Three Classics, is "the Statute of the former kings". This formed an important driving force for the cultural self-reconstruction of literati in the middle and late Northern Song Dynasty, through Wang Anshi's reputation in the literary world, the establishment of the Xifeng New Policy education system, and the dissemination of Shaoshu New Policy measures in the literati community in the late Northern Song Dynasty.The emphasis on " Statute" as an important element of literati identity in the "Confucian Classics Education to Cultivate Talents" movement is a distinct departure from the previous emphasis on "morality" in literati education. This shift in education was intended to create a tight, unified, and orderly bureaucratic community, and reflected Wang Anshi's reflection on the disconnect between status, performance, and real talent in the current bureaucratic system. The corresponding "Moral Awareness" replaced the institutional inertia of following rules and regulations, and inspired a rich discourse ecology in the decree and memorial books of the late Northern Song Dynasty. At the same time, Wang Anshi's attention to the internal " Statute" of literati constituted another aspect of the Confucian education. This dimension of " Statute" was rooted in the Jiangdong social circle during the reigns of Renzong and Yingzong, and permeated the space of the Xining Tealent Cultivation with the iteration of the literati community. Therefore, in the "Confucian Classics Education to Cultivate Talents" movement centered around " Statute", the different positions of the state and literati, using capable persons or selecting virtuous talents, and laws and morality intersected and collided continuously.
Chapter Three examines how the construction of the “Statute” during the reigns of Emperor Shenzong and Xifeng shaped the discourse and role positioning of literati in the Confucian governance orientation. By restoring the " Statute of the Former Kings" in the interpretation of the Confucian classics to trace back the governance of the Three-Generation, the important link to connect Shenzong and Wang Anshi's monarch and ministers, was established. In the process of the "Confucian Classics Education to Cultivate Talents" movement in Xifeng, compared with the lagging influence of Wang Anshi's Confucian classics together with imperial examination and school system, Emperor Shenzong's attitude and actions in personnel appointments had a more direct impact. In the genealogy of kings and ministers during the Xifeng period, the imperial tutor and the ceremonial officer were two crucial roles. The former was mainly represented by Wang Anshi, who indirectly guided the appointment of subsequent Confucian talents by shaping Emperor Shenzong into a saintly monarch who adhered to a King's political ideals. The latter was rooted in the demands of the ceremonial system constructed during Emperor Shenzong's Yuanfeng period, and was the concentrated embodiment of Emperor Shenzong's shaping of the Confucian literati team. The textual discourse related to these two political identities typifies the discourse power of Confucianism in constructing and maintaining the laws in operation during Emperor Shenzong's reign, and demonstrates the generation process of the Xifeng Literature in the interplay between Confucianism, institutions/moral standard, and literati identity.
Chapter Four discusses the stratification and fragmentation that occurred after the "Confucian Classics Education to Cultivate Talents" movement intervened in the traditional literati education. In Wang Anshi's early construction of Confucianism, Confucianism, literature, and moral standard were integrated to form a discourse system of textual criticism from a Confucian perspective. With the establishment of the "Confucian Classics Education to Cultivate Talents" movement, the Xifeng educational system and its educational space became the authoritative path for literati education, while literati who were alienated from it sought to reshape the tradition of education on the margins, creating a confrontation and balance between Confucianism and literature. Apart from these two distinct positions, there were also many literati who were involved in both the "Confucian Classics Education to Cultivate Talents" system and the poetry and prose writing order, forming an "intermediate group" that was involved in different social circles and had different levels of involvement in literature, Confucianism, and political demands. By clarifying the different attitudes of literati in the educational system, the "Confucian Classics Education to Cultivate Talents" movement generated a consensus, reflection, and even criticism, effectively activating the connection between Confucianism, politics, and literature in the literati world. The "Confucian Classics Education to Cultivate Talents" in Xifeng's renewal of the rationality of the classics also constitutes a key interaction between literature and moral system. Although the different choices made by the group of scholars under the "Confucian Classics Education to Cultivate Talents" do not conform to the original intention of "Unified moral standards", they also provide possibilities for the self-renewal of the "Confucian Classics Education to Cultivate Talents".
In short, this article proposes that "Statute" is the core characteristic that distinguishes the "Confucian Classics Education to Cultivate Talents" from the education of scholars in the previous generations. Correspondingly, " Statute and Literature" reflect the process of political, Confucian classics and law consciousness participating in the formation of literati culture in the mid to late Northern Song Dynasty. From this perspective, the existing research pattern formed by group classification, literary genre classification, and subject classification can be broken through, and the thought world and literary world of literati in the mid to late Northern Song Dynasty can be re-examined through the prism of the "Confucian Classics Education to Cultivate Talents".