海南省是一个多民族聚集的省份，黎族占大多数，作为黎族众多文化中的瑰宝——舞蹈，它就像是一面可以映射出黎族文化的镜子，黎族民间舞蹈的形成，深受着黎族人民的生产生活、民间习俗、祭祖信仰、抗战等诸多因素的影响，具有显著的民族特质和浓厚的生活气息，所以大多数舞蹈中都有道具的使用，这些道具几乎都是与之生活息息相关的，比如：打柴舞、舂米舞、斗笠舞、制陶舞、打碗舞等，都是黎族传统舞蹈中比较具有代表性的道具舞蹈，这些舞蹈最早源于黎族的祭祀和生产生活，随着时代的变迁，人民的物质生活得到保障，开始重视精神层面的追求，舞蹈的表演功能和娱乐功能逐渐加强，成为一种娱人育人的活动流传在民间。

道具本乃“身外之物”，但对于一个民族来说，舞蹈中的道具承载了整个民族以及该民族所在地区的文化内涵，是其民族审美与精神的符号标志。笔者在田野调查的过程中发现黎族舞蹈中道具的运用非常频繁，道具的种类也丰富多彩，因此决定从黎族道具舞蹈切入，通过走访黎族村寨、查阅相关文献、观看大量的黎族舞蹈代表作品和亲身到海南省民族歌舞团进行实践创作等方式，将海南黎族传统道具舞蹈中的道具和动作提炼再创作，从多维度剖析道具的功能，开发道具在舞蹈中的可能性，将海南黎族传统文化、节日以及海南当地流传的神话故事作为作品的背景，结合道具的使用，为作品提供更好地方式来塑造人物形象，营造和谐氛围。

本文通过分析黎族舞蹈中的道具运用，结合自身创作实践中的应用等经验和研究，思考道具在黎族舞蹈中存在的重要性和必要性，探索道具的运用所体现的艺术审美及民族精神。

Hainan Province is a multi-ethnic gathering of provinces, the Li folk accounts for the majority, as a treasure in the many cultures of the Li folk - dance, it is like a mirror that can reflect the Culture of the Li folk, the formation of the Li folk dance, deeply affected by the production and life of the Li people, folk customs, ancestral beliefs, resistance and many other factors, with significant national characteristics and strong breath of life, Therefore, most dances have the use of props, which are almost closely related to their lives, such as: Chai dance and Thrash rice dance, Hat dance, Pottery dance, Bowl beating dance are all representative prop dances in the traditional dance of Li folk, the dance comes from worship of the Li nationality and the earliest production and living, with the changes of The Times, people's material life assured, paid attention to the pursuit of spiritual, dance performances and entertainment functions gradually strengthen, It has become a kind of entertainment and education activities spread among the people, among which Chai dance has also been included in the list of China's intangible cultural heritage.

Props are originally "things outside the body", but for a nation, the props in the dance carry the cultural connotation of the entire nation and the region where the nation is located, and are the symbols of its national aesthetic and spirit.In the process of field investigation, the author found that the use of props in the Li dance is very frequent, and the types of props are also colorful, so he decided to start from the Li prop dance, through visiting the Li villages, consulting relevant documents, watching a large number of Representative Works of the Li Dance, and personally go to the Hainan Provincial National Song and Dance Troupe for practical creation and other ways, the props and movements in the traditional prop dance of the Hainan Li ethnic group are refined and recreated, the function of the props is analyzed from multiple dimensions, the possibility of the props in the dance is developed, and the traditional culture of the Hainan Li ethnic group, festivals and myths and stories circulating in Hainan are used as the background of the work, combined with the use of props, to provide a better way for the work to shape the character image and create a harmonious atmosphere.

Through the analysis of the use of props in Li dance, combined with the application of their own creative practice and other experience and research, this paper thinks about the importance and necessity of props in Li dance, and explores the artistic aesthetics and national spirit embodied in the use of props.