女娲是中国民间信仰中最为著名的女神之一，河北涉县地区以娲皇宫为中心形成了规模庞大、体系丰富的女娲信仰传统，并广泛流传、实践着各种类型的女娲叙事。本文立足于日常生活视角，对涉县女娲信仰的相关叙事实践方式进行分析和总结，从交流实践的角度考察作为叙事主体的“涉县人”在日常生活中如何通过多种手段来理解、表达和维系当地的女娲信仰。

全篇首置绪论，终于结语，正文部分分为三章。

绪论从一次田野经历中对神话叙事与文类界定的思考出发，阐明了选题缘起及研究目的，梳理并总结了国内外关于女娲神话、信仰及各地民间叙事的研究。在界定“叙事”概念的多重意涵的基础上，本文将以交流实践和“以表演为中心”的研究范式，借助言说模型中与个案相关的分析角度，对涉县女娲叙事的交流与实践进行描写和剖析。

第一章首先对田野地点涉县进行总体描述，包括行政区划、自然地理、社会经济和民俗文化情况。同时，根据地方文献和碑文古迹追溯涉县的女娲信仰历史，展现娲皇宫这一核心信仰场域的空间布局，随后重点考察了三个有代表性的村落层级的女娲信仰圈，总结当地的女娲信仰格局与文化空间。

第二章从日常生活实践的角度呈现涉县民众围绕女娲信仰展开的丰富的行为叙事与口头传统，对祈禳还愿、求子、女娲祭典等仪式活动进行深入的描摹，从演述场域受众的视角反观信众、非遗传承人、地方文化工作者和导游等不同叙事主体的复杂交流，进行深入的分析与解读。

第三章呈现了非遗语境下政府和民间话语对女娲叙事的建构，主要从官方权力介入和改造女娲叙事的有限表达，以及民间话语在叙事传统基础上做出的适应性改变两个方面展开论述；同时探究当地在发展旅游的趋势下如何利用多种技术和手段调适女娲叙事适应当代和文化生活。

结语纵观全文，对绪论提出的问题予以回应的同时也总结了女娲信仰与叙事之间的互文性关系。

Nuwa is one of the most famous goddesses in Chinese folk beliefs. The Shexian county of Hebei province has formed a large-scale and rich system of Nuwa belief traditions centered on the WaHuang palace, and various types of Nuwa narratives are widely circulated and practiced. Based on the perspective of daily life, this thesis analyzes and summarizes the relevant narrative practices of Nuwa belief in Shexian county. From the perspective of Communicative Practice, it investigates how the "Shexian people" as the narrative subject understand, express and maintain the local Nuwa belief through various means in daily life.

The thesis starts with the introduction and ends the conclusion. The main body are divided into three chapters.

The introduction starts from the thinking of myth narration and genre definition in a field experience, clarifies the origin and research purpose of the topic, sorts out and summarizes the domestic and foreign research on Nuwa myth, belief and folk narration. On the basis of defining the multiple meanings of the concept of "narrative", this thesis will describe and analyze the communication and practice of Nuwa's narration in Shexian County from the perspective of case-related analysis in the speech model with the paradigm of Communicative Practice and "performance-centered".

The first chapter gives a general description of Shexian county, the field location, including administrative divisions, natural geography, social economy and folk culture. At the same time, I traced the history of belief in Nuwa in Shexian County according to local documents and inscriptions, showing the spatial layout of the core belief field of WaHuang Palace. Then I focused on the three representative village-level belief circles of Nuwa, and summarized the local belief pattern and cultural space of Nuwa.

The second chapter presents the rich behavioral narration and oral tradition of the people in Shexian County around the belief of Nuwa from the perspective of daily life practice. It makes an in-depth description of ritual activities such as praying for vows, children and offering sacrifices to Nuwa. It reflects the complicated communication of different narrative subjects such as believers, inheritors of Intangible Cultural Heritage, local cultural workers and tour guides from the perspective of audience in the performance field, and makes an in-depth analysis and interpretation.

The third chapter presents the construction and influence of state power and folk discourse on Nuwa narrative in the context of intangible cultural heritage. It mainly discusses the government's intervention and transformation of Nuwa narrative with official power,and the adaptive changes made by folk narration tradition in this process. At the same time, it explores how to use various techniques and means to adapt Nuwa narrative to contemporary and cultural life under the trend of tourism development.

The third chapter presents the production of Nuwa's narration by government and folk discourse in the context of Intangible Cultural Heritage, mainly from two aspects: the limited construction of Nuwa's narration by the intervention of official power and the adaptive changes of folk discourse based on the narration tradition.At the same time, it explores how to use various techniques and means to adapt Nuwa's narrative to contemporary and cultural life under the trend of tourism development.

The conclusion reviews the whole text, responds to the questions raised in the introduction and summarizes the intertextual relationship between Nuwa belief and narration.