四十年代的上海因其特殊的政治文化环境，涌现出了一大批通俗作家和以婚恋为题材的小说，这部分小说蕴含着深刻的悲剧意识，具有强烈的现实性。笔者在大量阅读四十年代上海婚恋小说的基础上，选择张爱玲的《红玫瑰与白玫瑰》、苏青的《结婚十年》以及师陀的《结婚》为代表，研究这一时空下，婚恋小说中所蕴含的悲剧意识。本文首先结合作品，分析其中悲凉的人生际遇和环境氛围；其次对这一特定时空下的悲剧意识进行成因分析：既是客观现实的混乱矛盾所致，也是作家群体的主观反思，世俗的不幸和人性的缺憾丰富着悲剧意识的内涵。最后基于以上分析，肯定四十年代上海沦陷区婚恋小说中悲剧意识的社会意义与美学价值。

Due to its special political and cultural environment, a large number of popular writers and novels about love and marriage emerged in Shanghai in the 1940s. On the basis of reading a large number of marriage and love novels in Shanghai in the 1940s, the author chooses Red Rose and White Rose by Eileen Chang, Ten Years of Marriage by Su Qing and Marriage by Shi Tuo as representatives to study the tragic consciousness contained in marriage and love novels in this space-time. First of all, this paper combines the works to analyze the sad life experience and the environmental atmosphere. Secondly, the paper analyzes the causes of the tragic consciousness in this particular time and space: it is not only caused by the chaos and contradiction of the objective reality, but also the subjective reflection of the writers' group. The worldly misfortune and the deficiency of human nature enrich the connotation of tragedy consciousness. Finally, based on the above analysis, we affirm the social significance and aesthetic value of the tragic consciousness in the marriage novels in the occupied area of Shanghai in the 1940s.