人工智能创作诗歌已经成为一种客观现实，这一现实使人类诗歌面临新的挑战，同时也为人类反观诗歌本质，思考诗歌未来提供了契机。本文以斯坦利?费什读者反应批评的方式，以微软小冰及其诗集《阳光失了玻璃窗》当中的诗歌为例，审视读者在面对AI诗人以及阅读AI诗歌时的反应。对于读者而言，AI诗人是语言的工具而非文学的工具，AI诗人的诗歌创作首先是一个技术事件，其次才是一个文学事件，在此基础上AI诗歌表现出“现成品艺术”与“反诗歌”的特征。面对AI诗人与AI诗歌的挑战，人类诗人需要发挥比较优势，彰显人类诗歌的人文价值，进而开创人类诗歌的新纪元。

The poetry creation of AI has become an objective reality, which makes human poetry face new challenges. At the same time, it also provides an opportunity for human beings to reflect on the essence of poetry and think about the future of poetry. This paper examines the reader's response to AI poets and their reading of AI poetry, taking the poetry of Microsoft XiaoBing and its collection "The Sunshine Lost the Window" as an example, in the way that Stanley Fish's Reader-Response Criticism. For readers, AI poets are tools of language rather than literature. The poetry creation of AI poets is first a technical event, then a literary event. On this basis, AI poetry shows the characteristics of "ready-made art" and "anti-poetry". Faced with the challenge of AI poets and AI poetry, human poets need to give full play to their comparative advantages, highlight the humanistic value of human poetry, and then create a new era of human poetry.