卡尔维诺是意大利文学史上的一座重镇，其创作连接传统与现代，对接科学与文学，既有沉重的现实书写，也有精神的乌托邦塑造。卡尔维诺的思想广博深邃、手法灵活多样且创作周期跨时长，使得后人在研究其人其作品时存在着一定的割裂性；与此同时，作为一名男性作家，卡氏却塑造了形形色色的女性形象，这些女性一方面体现了其对两性关系的思考变化，另一方面她们作为卡氏作品中贯穿始终的存在，具有鲜明的阶段特征和演变性，能够帮助我们审视卡氏创作的基本风貌。因此笔者以女性形象作为切入点，通过梳理卡氏女性书写的脉络，对卡氏的创作思想和创作手法进行系统连贯的研究。

论文包括绪论、一至三章以及结语部分。

正文第一章，对“女性书写”的概念进行辨析，明确本文所用的“女性书写”是字面意义上的“对女性的书写”；然后从成长经历、家庭影响、历史文化以及社会思想等多个方面入手，研究卡尔维诺前期对女性的看法，探索卡尔维诺的女性观缘起和形成过程；并且以二十世纪五十年代末六十年代初卡尔维诺的美国访学活动作为转折点，比较卡氏前后对女性看法的变化，探讨其女性观的变化。

正文第二章，通过剖析卡尔维诺笔下形形色色的女性形象，如《通往蜘蛛巢的小径》中的“姐姐”形象，“我们的祖先”三部曲中的薇莪拉、布拉达曼泰形象，《寒冬夜行人》中的柳德米拉和罗塔丽娜形象等，总结其在不同时期所创作的女性形象特点。从坚韧包容的底层女性到自主意识初步觉醒，再到多变的、无限的女性形象，卡氏笔下的女性呈现出鲜明的演变轨迹，与之对应的两性关系也经历了不同的起伏和变化。与此同时，在不同的时期卡氏的女性塑造也运用了不同的创作手法和技巧，体现了其从“新写实主义”到“童话”式写作，再到“晶体”写作的创作思想变化，在此章中笔者以女性形象为窗口探究卡氏文学创作的整体变化。

正文第三章，以女性为切入视角，研究卡尔维诺的女性书写与他不同时期作品的主题表达之间的关系。卡尔维诺以女性人物为载体，通过对女性的塑造和刻画来表现其创作的主题。在卡尔维诺的女性书写中，既有鲜明的性别政治对抗，也蕴含卡氏对人的自我完善和发展、欲望的缺失与补足等主题的思考。因此笔者在这一章中从卡氏的女性书写出发对其欲望观、自我观进行研究，进而探索其女性书写所蕴藏的丰富内涵。

Italo Calvino played an important role in the history of Italian literature, linking tradition and modernity, science and literature, writing with a heavy reality and shaping a spiritual utopia. Calvino's breadth and depth of thought, his flexibility and variety of approach, and the length of his creative cycle have led to a certain fragmentation in the study of his work; at the same time, as a male writer, he portrayed a variety of women who, on the one hand, embodied his changing thinking about gender relations and, on the other hand, were a constant presence in his work, with distinctive stages of On the other hand, as a constant presence in Karr's work, they are distinctive and evolving, and can help us to examine the basic style of Karr's work. The author therefore uses the female figure as a point of entry to conduct a systematic and coherent study of Karr's creative thought and approach by sorting out the lineage of Karr's writing on women.

Translated with www.DeepL.com/Translator (free version)The thesis includes an introduction, chapters one to three, and a concluding section.

The first chapter of the main text identifies the concept of 'writing about women' and clarifies that the term 'writing about women' is used in the literal sense of 'writing about women'; it then examines Calvino's views on women in the early period from the perspective of his upbringing, family influence, history and culture, as well as social thought, to explore the origins and formation of Calvino's view of women; and takes Calvino's Temporary residence in the United States in the late 1950s and early 1960s as a turning point to compare the changes in Calvino's views on women before and after, and to explore the changes in his view of women.

In the second chapter of the main text, the author selects important female figures from different periods of Calvino's works for analysis, such as the image of "Sister" in The Path to the Spider's Nest, the images of Vergara and Bradamante in The Ancestors trilogy, and the images of Ludmilla and Rotalina in The Winter's Night Walkers, to summarise the characteristics of his female figures in different periods. The characters of Lyudmila and Rotharina in The Winter's Night Walkers are summarised in the following sections. From the resilient and tolerant women of the underclass to the initial awakening of a sense of autonomy, and then to the changing and infinite images of women, the women in Kar's works show a distinct evolutionary trajectory, and the corresponding gender relations also undergo different ups and downs and changes. At the same time, different techniques and techniques are used in the portrayal of women in different periods, reflecting the change in his creative thinking from "neo-realism" to "fairy tale" writing and then to "crystal" writing. "In this chapter, I use the female figure as a window to explore the overall changes in Karr's literary creation.

The third chapter of the main text examines the relationship between Calvino's writing on women and the thematic expression of his works in different periods, using women as an entry point. Calvino uses female characters as a vehicle to express the themes of his work through the portrayal and depiction of women. In Calvino's writing on women, there is both a clear political confrontation between the sexes, and also contains Karr's reflections on themes such as the self-improvement and development of man, and the absence and replenishment of desire. In this chapter, therefore, I examine Calvino's view of desire and the self from the perspective of his writing on women, and then explore the richness of his writing on women.