在当今全球化的时代背景下，电影作为一种跨文化交流的媒介，扮演着极其重要的角色。中国朝鲜族导演张律，凭借其深刻的跨文化视角和独特的电影语言，在电影艺术领域成为别具一格的存在。张律的电影不仅是艺术创作的产物，更是文化、社会和历史交织影响下的见证。通过对跨国族群生活状态的深入描绘，张律的作品揭示了个体在全球化浪潮中的身份认同焦虑，以及文化冲突与融合的复杂性。

本研究深入探讨张律电影的跨国族群特征与镜语表现，旨在通过电影美学与跨国族群电影双重视角，揭示张律如何在其作品中处理流散群体的命运，并通过跨文化的叙事手法描绘这些群体在全球化背景下的生存困境与文化身份探索。

通过文献研究法、作品分析法、及文化研究法，本研究系统性地分析了张律电影的美学特征、叙事策略、视觉风格及其对跨文化议题的深度探讨。首先界定“跨国族群电影”的概念，为后文深入研究张律的跨国族群电影奠定理论基础。第一章梳理张律的身份背景与创作缘起，分析其电影作品中对跨国族群的深入表现。随后，通过对张律电影创作的三个阶段进行分期探讨，并展现张律作品获得的国际荣誉与影响力。第二章对张律电影的美学特征进行研究。张律的电影美学不仅体现在其独特的叙事和视觉风格上，更深刻地揭示了全球化时代下跨国族群的生活状态和心理状态。通过对这些美学特征的研究，不仅能够更好地理解张律作品的艺术价值，也能从中获得对跨文化交流和全球化影响下个体生活的深刻洞见。第三章对张律电影的主题，即身份认同议题进行探讨。张律的作品深刻反映了全球化背景下的文化碰撞与融合，以及个体在异乡寻求身份认同与文化归属感的心理过程。讨论了张律的电影作品如何引起国际观众的共鸣并促进跨文化理解。

综上所述，本研究通过对张律电影作品的全面分析，展现了其在探讨跨国族群特征、身份认同以及全球化背景下的文化交流方面的深刻洞察和艺术成就。张律的电影不仅跨越了文化和国界，通过其独特的美学特征和叙事手法，为全球观众提供了一种理解和体验跨文化身份的新方式。同时，张律的跨国族群电影在促进国际文化理解和交流方面发挥了重要作用，为电影艺术如何在全球化时代中发挥桥梁作用提供了有力的案例研究。

In the current era of globalization, film serves as an immensely important medium for cross-cultural communication. Chinese-Korean director Zhang Lv, with his profound cross-cultural perspective and unique cinematic language, has become a distinct presence in the realm of film art. Zhang Lv's films are not merely products of artistic creation but also testimonials to the intertwined influences of culture, society, and history. Through the detailed portrayal of the living conditions of transnational ethnic groups, Zhang Lv's works unveil the anxieties of individual identity in the wave of globalization and the complexities of cultural conflicts and integration.

This study delves into the characteristics of transnational ethnic groups and the cinematographic expression in Zhang Lv's films, aiming to reveal how he addresses the fate of diasporic communities within his works and depicts these groups' struggles for survival and cultural identity in a globalized context through cross-cultural narrative techniques.

Utilizing methods of literature review, film analysis, and cultural studies, this research systematically examines the aesthetic features, narrative strategies, visual styles, and depth of cross-cultural exploration in Zhang Lv's films. It first defines the concept of "transnational ethnic group films," laying a theoretical foundation for the in-depth study of Zhang Lv's works within this framework. The first chapter outlines Zhang Lv's identity background and creative origins, analyzing the profound representation of transnational ethnic groups in his filmography. Subsequently, it explores Zhang Lv's filmmaking in three stages, showcasing the international honors and influence his works have achieved. The second chapter investigates the aesthetic characteristics of Zhang Lv's films, which not only reflect his unique storytelling and visual style but also deeply reveal the living and psychological states of transnational ethnic groups in the age of globalization. The study of these aesthetic features not only enhances understanding of the artistic value of Zhang Lv's works but also provides insights into cross-cultural communication and individual lives under the impact of globalization. The third chapter discusses the theme of identity in Zhang Lv's films, which profoundly reflect the cultural collisions and integrations in a globalized backdrop and the psychological process of individuals seeking identity and cultural belonging in foreign lands. It discusses how Zhang Lv's films resonate with international audiences and promote cross-cultural understanding.

In summary, through a comprehensive analysis of Zhang Lv's films, this study showcases his profound insights and artistic achievements in exploring the characteristics of transnational ethnic groups, identity, and cultural exchange in a globalized context. Zhang Lv's films transcend cultural and national boundaries, offering global audiences a new way to understand and experience cross-cultural identity through his unique aesthetic features and narrative techniques. Additionally, Zhang Lv's transnational ethnic group films play a significant role in promoting international cultural understanding and exchange, providing a compelling case study on how film can serve as a bridge in the age of globalization.