从古希腊悲剧开始，戏剧一路走来，变体如古树枝桠，繁茂丛生。基于虚拟现实技术的VR沉浸式戏剧，如《The Under Presents》《看不见的客人》《浮生一刻》等，脱胎于沉浸式戏剧这一新生戏剧现象，以其对戏剧本体的革新吸引了诸多戏剧爱好者的关注。然而，对于此类戏剧的研究却并不多见。

本文基于具身认知理论视角，探究VR沉浸式戏剧的创作与接受影响。通过文献爬梳，本文搭建了具身感知、观演交互和认知共振三个层次的分析框架，分别对VR沉浸式戏剧所独有的创作特征及观者对此类戏剧活动的接受及参与进行分析。本研究发现，在VR沉浸式戏剧创作层面，VR技术的介入改变了戏剧的时空搭造和叙事策略，也使戏剧表现出游戏化特征。在观者对VR沉浸式戏剧的具身参与层面，本研究发现在VR技术的影响下，观者对于新技术和对具有新特征的戏剧文本在接受上出现了新的取向，获得了独特的情感体验。最后，立足VR技术与戏剧艺术之结合这一视点，作者试图辩证地理解和反思技术与（媒介）艺术间的复杂关系。

From ancient Greek tragedy, theatre has come a long way, with variants flourishing like the branches of an ancient tree. VR immersive theatre based on virtual reality technology, such as The Under Presents, The Invisible Guest and A Moment of Floating Life, are born out of the nascent theatrical phenomenon of immersive theatre and have attracted the attention of many theatre lovers with their revolutionary approach to theatre proper. However, not much research has been done on this type of theatre.

Based on embodied cognition theory, this paper explores the impact of VR immersive theatre on its creation and reception. Through literature crawling, this paper builds a three-level analytical framework of embodied perception, viewing interaction and cognitive resonance to analyse the unique creative characteristics of VR immersive theatre and the audience's acceptance of and participation in such theatre activities, respectively. The study finds that at the level of VR immersive theatre creation, the intervention of VR technology changes the temporal and spatial construction and narrative strategies of theatre, and also makes theatre playful. At the level of the viewer's embodied participation in VR immersive theatre, this study finds that under the influence of VR technology, the viewer has a new orientation towards the new technology and the reception of theatre texts with new characteristics, and gains a unique emotional experience. Finally, from the point of view of the integration of VR technology and theatre art, the author attempts to understand and reflect on the complex relationship between technology and (mediated) art in a dialectical manner.