唐朝时期，宝相花纹样极为流行，它的主要表现形式包括瓣状、团状和花朵状的宝相花纹样。如今，在相关的纹样和美术设计中，后人依然频繁地参考和引用这些具有独特魅力的宝相花纹样。且在如今弘扬传统文化，回忆国风美学，发扬中华民族历史品格的时代背景下，传统纹样在当今的美学及设计领域也需要焕发出新的生机。笔者希望能够从展现盛世包容万象，有容乃大气韵的宝相花纹样入手，通过系统分析宝相花纹样的历史衍生及演变传承过程，从中探索出以古代先民所孕育的经久不衰的传统纹样发展历程为模板，以新时代科学思考为助力的纹样创新方法。

During the Tang Dynasty, the pattern of precious phase flowers was extremely popular, and its main forms of expression included petal, cluster, and flower shaped patterns of precious phase flowers. Nowadays, in related patterns and art designs, later generations still frequently refer to and cite these unique and charming patterns of precious flowers. In the current era of promoting traditional culture, recalling national aesthetics, and promoting the historical character of the Chinese nation, traditional patterns also need to shine with new vitality in the field of aesthetics and design. The author hopes to start with the Baoxiang flower pattern, which showcases the inclusiveness and grandeur of a prosperous era. Through a systematic analysis of the historical derivation and evolution of Baoxiang flower patterns, the author aims to explore innovative methods for patterns based on the timeless traditional pattern development process nurtured by ancient ancestors and supported by scientific thinking in the new era.