网络原创真人秀节目的制作方式具有网络特性，也就是“网感”。社会背景、社交环境以及产业生态都会对网络真人秀节目的“网感”产生影响。以《侣行》等为代表的网络原创真人秀节目的“网感”思维主要以去中心化、碎片化的精神内核作为指导。以“分众”“媒介融合”“粉丝经济”等互联网媒介传播特性的思路进行制作。如何挖掘提高受众参与性的选题，如何塑造节目中的“意见领袖”来获取受众的信任代理权，如何营造能够让受众感同身受的“仪式感”的场面，是网络原创真人秀节目制作者需要思考的问题。 本文通过分析以《侣行》为代表的网络原创真人秀节目的视听语言，辅助以电影电视叙事学理论并结合传统真人秀节目制作模式进行分析。归纳出“网络原创真人秀节目”的叙事手段，总结出适用于网络媒介传播的真人秀节目的“网感”特点。 本文绪论部分主要对于网络原创真人秀节目的研究进行背景分析，阐述选题研究的意义以及目前的学界研究现状和笔者的研究方法。 本文第二部分从叙事学角度出发，分析以《侣行》、《我们的侣行》为代表的网络原创真人秀节目的“网感”的特征，从短、频、碎片化、改编与垂直等“网感”元素，总结网络真人秀节目的策划、编排思路。 本文第三部分承接上一部分的“网感”特征，从叙事者、仪式化的叙事情节、叙事空间、人物设定、弹幕叙事等五部分继续总结《侣行》等节目的叙事创新手段。 最后，对于“网感”思维指导下的网络真人秀节目的业内生态定位进行论析，总结网络真人秀节目当下的产业链模式，以及未来大数据与人工智能普及下的网络真人秀节目的功能性变化。

production method of network original reality show has network characteristics, that is, "net feeling". Social background, social environment, and industrial ecology all have an impact on the “net feel” of online reality TV shows. The "net feeling" thoughts of the network original reality show represented by "Monkey Travel" are mainly guided by the decentralized and fragmented spiritual core. It is based on the idea of "intermediate", "intermediate integration", "fan economy" and other characteristics of the Internet media. How to find topics that increase audience participation, how to shape the “opinion leaders” in the program to gain the trust agency rights of the audience, and how to create a “ceremonial sensation” that enables the audience to feel like each other, is the need for network original reality show producers Problems of thinking. This article analyzes the audio-visual language of the online original reality show represented by "Justice" and assists in the analysis of film and television narratology theory combined with traditional reality TV show production patterns. Summarizes the narrative methods of the "Internet original reality show" and summarizes the "net feeling" characteristics of reality television programs suitable for online media distribution. The introduction part of this article mainly analyzes the background of the research of the online original reality show, expounds the significance of the topic research and the current academic research status and the author's research methods. In the second part of this article, from the perspective of narratology, we analyze the characteristics of the "net feeling" of the network original reality show represented by "Journey of Confucius" and "Our Couple of Lines", from short, frequent, fragmented, adapted and vertical. Such "net sense" elements demonstrate the planning and arrangement of online reality shows. The third part of the article undertakes the "net feeling" feature of the previous part, and continues to summarize the narrative innovation means of the "Monumental Travel" and other programs from the five parts of the narrator, ritualized narrative festival, narrative space, character setting, and barrage narrative. Finally, it analyzes the industry's eco-localization of web-based reality shows under the guidance of “Internet Sense” thinking, sums up the current industry chain model of web-based reality show programs, and the function of network reality shows under the spread of big data and artificial intelligence in the future. Changes in sex.