中文题名: | 韩国“板索里”艺术中的女性鼓手 |
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保密级别: | 公开 |
论文语种: | 中文 |
学科代码: | 050101 |
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学生类型: | 学士 |
学位: | 文学学士 |
学位年度: | 2021 |
学校: | 北京师范大学 |
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提交日期: | 2021-05-25 |
答辩日期: | 2021-05-17 |
中文关键词: | |
外文关键词: | |
中文摘要: |
板索里是一种韩国传统艺术表演形式,也是韩国传统文化的重要组成部分,历史悠久,传承至今。在韩国的传统社会中,女性地位低下,因此,板索里团体中的歌手和鼓手都是由男性承担。自19世纪起,板索里团体中开始出现女性歌手,如今,女性歌手的比率反而高于男性歌手的比率。然而,板索里团体中的鼓手仍然是由男性承担,这一传统依旧根深蒂固。20世纪,韩国板索里团体出现了第一位女性鼓手。渐渐,随着韩国社会—文化的现代化,女性鼓手的数量越来越多了。本文将研究与韩国板索里艺术女性鼓手相关联的问题。首先,要讨论板索里的历史背景和音乐特点;其次,特别要着重讨论社会对女性鼓手的看法和偏见等问题;再次,重点讨论现代韩国板索里艺术中女性鼓手的活动情况。
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外文摘要: |
Pansori is a traditional Korean culture and art. The long history of pansori continues to this day. In traditional Korean society, both pansori singers and drummers were male. However, the first female singer appeared in the late 19th century. And now, there are more female singers than male singers. But there is still a perception that drummer is a male. However, the first female drummer appeared in the late 20th century, and the number of female drummers is increasing as the perception of Korean social culture changes. This paper will cover the issue of Pansori female drummers. First, I will cover the historical background and musical characteristics of Pansori. Secondly, I will focus particularly on prejudice against female drummers. Lastly, I will cover the current activities of Pansori female drummer. |
参考文献总数: | 20 |
插图总数: | 4 |
插表总数: | 9 |
馆藏号: | 本050101/21260 |
开放日期: | 2022-05-25 |