本文围绕原创小舞剧《洛水依人》中人物形象的塑造进行分析论述，小舞剧以文学作品《三国演义》中“甄宓”人物形象为依托，共分为三个章节对有关主题进行论述。第一章重点阐述了原著《三国演义》中“甄宓”的人物背景与形象，以及对原创小舞剧人物形象的解读和建立的依据，分析笔者视角下人物性格的异同；第二章分别从舞蹈语言、创作结构等方面分析塑造人物形象的过程，剖析在塑造人物形象过程中所运用的具体方法以及达到的艺术效果，通过以下文章论述人物形象塑造在创作过程中的意义与价值；第三章是对实践作品过程中以及总结后的再思考，对人物形象的的定位以及个性化语言的加工创作过程进行阐述。本文结合自身创作表演体会，人物角色的建立，对小舞剧创作、结构、形象都有了更清晰的认识，有助于把握人物情感表达与立体呈现，具有一定的总结经验与实践意义。

This paper analyzes and discusses the shaping of the characters in the original dance drama "Luo Shui Yi Ren". The small dance drama is based on the characters of "甄宓" in the literary works "The Romance of the Three Kingdoms" and is divided into three chapters. The first chapter focuses on the background and image of the characters in the original Romance of the Three Kingdoms, as well as the basis for the interpretation and establishment of the characters of the original Xiaowu opera, and analyzes the similarities and differences of the characters in the author's perspective. The second chapter analyzes the process of shaping the characters from the aspects of dance language and creation structure, analyzes the specific methods used in the process of shaping the characters and the artistic effects achieved, and discusses the significance of the characters in the creative process through the article. value. The third chapter is about rethinking in the process of practical works and after summing up, expounding the positioning of the characters and the process of processing the individualized language. This article combines the creation experience and the creation of the characters, has a clearer understanding of the creation, structure and image of the little dance drama, and helps to grasp the emotional expression and stereoscopic presentation of the characters, which has certain experience and practical significance.