作为明末清初著名的戏曲家、小说家和文艺理论家，李渔无论是在生前还是身后，都饱受争议。而引发众人争议的一个焦点，就是他所创作的作品中所透露出的那一股“风流道学”的气质。李渔的小说创作成就比不上戏曲，但是在李渔的小说作品中我们可以看到教化与放纵的双重属性。在塑造女性形象方面，这种特点尤为突出。分析李渔小说的女性形象，我们能对他“风流道学”的思想有更深的理解。

As a famous dramatist, novelist and literary theorist in the late Ming and early Qing Dynasty, either in his lifetime or after-death, Li Yu was a controversial figure. A focus of controversy was that he is the author of the works revealed that an “Merry Taoism”temperament. Li Yu's novel creative achievements not as excellent as drama,but in his works of fiction, we can see that the dual attributes of enlightenment and self-indulgent. In shaping the image of women, this feature is particularly prominent.By the analysis of Li Yu 's image of women, we could have a better understanding of his “Merry Taoism”thinking.