在当代的语境下，身体不仅仅是生物性的存在，更是社会文化的重要载体和符号。身体传达着各式各样的叙事信息，进入各种场合参与着不同的实践。小众群体在特定场合的身体实践往往具有特殊意义，洛丽塔群体在漫展中的身体实践也亦然如此。

漫展历来便是二次元文化的聚集地，亦是亚文化青年进行聚集与狂欢的场所。本文第二章试图阐述漫展及二次元文化与洛丽塔文化的关系。自从二次元与洛丽塔文化捆绑着进入中国之后，这两种亚文化便在大陆的青少年群体中流传开来。近年来，漫展上洛丽塔的身影不断增多，伴随着洛丽塔文化和二次元ACGN文化的碰撞与交融，洛丽塔文化也逐渐成为了漫展文化中一抹不可或缺的底色。

第三章所探讨的内容是漫展这一场域的内部构成，并将洛丽塔置于该场域中分析其存在状态与身份。在漫展这一场域中，有着内部特定的权力与规则，影响着该场域内各个个体的互动与关系。来自目光与镜头的凝视构成了场域内的权力，凝视着洛丽塔们，起到着规训的作用。同时，在该场域中，洛丽塔们的身份并不是单一而固定的，而是会自觉不自觉地进行切换。一般而言，漫展场域内的洛丽塔，既有着洛丽塔爱好者的身份，又有着二次元文化受众的身份，这种双重身份也给她们带来了在漫展这一场域内的双重享受。有时候，洛丽塔们又会从游客身份临时地切换到主办方及工作人员这一身份上。

洛丽塔这一群体不自觉地进行着表演行为与身体叙事。经过身体装饰与身体变形，洛丽塔们由日常打扮进入盛装，其身体叙事自然发生了变化，有了特殊的意义。第四章便在此基础上分析漫展中洛丽塔们的身体，解读其身体叙事。同时，伴随着这场盛大的身体装饰与表演的，是洛丽塔们对于自我身体的探索和认知，她们在这一过程中追求着理想自我，渴望获得关注与认可。

本文尝试呈现洛丽塔这一小众文化爱好者群体在漫展场域中的身体逻辑，并试图解读其种种身体实践过程中所传达出的叙事信息。本文通过研究发现，在这一场域中，洛丽塔们的身体经由“日常到盛装”这一变化后，其装饰与变形过的身体是劳累的、迷狂的；身体进行着表演，渴望着互动与认同，且受到着种种凝视而形成一种内化的自我约束。

In the contemporary context, the body is not just a biological existence, but also an important carrier and symbol of social culture. The body conveys various narrative information and enters various occasions to participate in different practices. The physical practices of niche groups in specific occasions often have special meanings, and the same is true for the Lolita community at anime exhibitions.

Anime exhibitions have always been a gathering place for two-dimensional culture, as well as a venue for subcultural youths to gather and revel. The second chapter of this article attempts to elaborate on the relationship between anime exhibitions, two-dimensional culture, and Lolita culture. Since two-dimensional and Lolita cultures were bundled and introduced into China, these two subcultures have spread among young people in mainland China. In recent years, the presence of Lolitas at anime exhibitions has been increasing. With the collision and blending of Lolita culture and two-dimensional ACGN culture, Lolita culture has gradually become an indispensable part of anime exhibition culture.

The third chapter explores the internal composition of the anime exhibition field and analyzes the existence and identity of Lolitas in this field. In the field of anime exhibitions, there are specific internal powers and rules that affect the interaction and relationship of individuals in the field. The gaze from eyes and cameras constitutes the power within the field, staring at the Lolitas and playing a disciplinary role. At the same time, in this field, the identity of the Lolitas is not single and fixed, but will consciously or unconsciously switch. Generally speaking, Lolitas in the anime exhibition field not only have the identity of Lolita enthusiasts but also have the identity of two-dimensional cultural audiences. This dual identity also brings them double enjoyment in the anime exhibition field. Sometimes, Lolitas will temporarily switch from visitor status to organizer and staff status.

The Lolita community unconsciously engages in performance behavior and bodily narratives. After body decoration and body deformation, Lolitas change from daily dress to formal dress, and their body narratives naturally change, taking on special meanings. Based on this, the fourth chapter analyzes the bodies of Lolitas in anime exhibitions and interprets their bodily narratives. At the same time, along with this grand body decoration and performance, it is the Lolitas' exploration and cognition of their own bodies. They pursue their ideal selves in this process and long for attention and recognition.

This article attempts to present the bodily logic of the niche culture enthusiasts, the Lolita community, in the anime exhibition field, and tries to interpret the narrative information conveyed in the process of various physical practices. Through research, this paper finds that in this field, after the Lolitas' bodies undergo the change from "daily to formal wear", their decorated and deformed bodies are tired and fascinated; the bodies are performing, longing for interaction and identification, and are subjected to various gazes, forming an internalized self-restraint.