明清以来文学史对陆机的评价褒贬不一，其争议主要集中在陆机的诗论“诗缘情而绮靡”及诗歌创作上。本文结合“缘情绮靡”提出的历史语境及《文赋》的理论框架，对诗论内涵作出详细分析。对于陆机的诗歌创作实践，本文认为大体上做到了他所提出的“缘情绮靡”，具体表现在其诗歌初步展现了情景交融的物境，具有繁复深刻的情感美质；语言表达上具有设色巧妙、生动灵巧、排布整饬的审美特点。但是不可否认的是陆机的诗歌距离情深词茂的艺术境界还有一定距离，其诗歌中的“硬句”“累句”等造语特点对情感表达有一定的削弱。

Since the Ming and Qing dynasties, there have been mixed evaluations of Lu Ji in literary history, with controversies mainly focused on his poetic theory of "poetry is full of emotions and beauty" and his poetry creation. This article provides a detailed analysis of the connotation of poetic theory by combining the historical context and the theoretical framework of "Wen Fu". For Lu Ji's poetry creation practice, this article believes that he has generally achieved the "poetry is full of emotions and beauty" he proposed, which is manifested in his poetry's initial display of the blending of emotions and scenery, and complex and profound emotional beauty; In terms of language expression, it has the aesthetic characteristics of clever color design, vivid and flexible, and neat arrangement. However, it cannot be denied that Lu Ji's poetry still has a certain distance from the artistic realm of deep emotions and rich lyrics. The language construction features such as "hard sentences" and "accumulated sentences" in his poetry weaken the expression of emotions to a certain extent