李贺是中唐时期最为重要的诗人之一，在我国古代诗歌史上留下了浓墨重彩的一笔。特殊的身世经历让李贺的女性形象书写别具特色，反映着李贺的精神世界。李贺笔下的女性主要来自三类背景环境：现实世界、神仙世界与彼岸世界。现实世界的女性形象书写主要包括三类：苦难与不公的代言者、年华陨落的“献祭者”与相隔的恋人，集中反映了李贺对现世对抗与恐惧的态度；神仙世界的女性形象呈现出现实化的特点，即李贺多进行非仪式性的日常书写，并渗入现实观照，实际上承载着李贺的理想世界，却又流于虚妄与飘渺；彼岸世界的女性形象则多表现出自在化的特点，即随自然化动，脱离人类社会的秩序与逻辑，呈现出本真的状态来肯定存在的合理性与价值，其中透露着李贺的生死观念以及强韧的生命意识。

Li He was one of the most important poets in the Middle Tang Dynasty, leaving a rich and colorful mark in the history of ancient Chinese poetry. The female image is a imagery that can better reflect personal characteristics in Li He's poetry. The female images in Li He's works mainly come from three types of background environments, namely the real world, the immortal world, and the other world. The portrayal of female images in the real world mainly includes three categories: spokespersons of suffering and injustice, sacrificing individuals in their declining years, and separated lovers, which reflect Li He's attitude towards confrontation and fear in the present world. The female images in the immortal world exhibit a characteristic of realism. When Li He created, he often engaged in non ritualistic daily writing, infiltrating reality and contemplation, which actually carried Li He's ideal world. But at the same time, it became illusory and ethereal. The female images in the other world often exhibit the characteristic of naturalization. They move with nature, break away from the order and logic of human society, and present an authentic state to affirm the rationality and value of existence, revealing Li He's concept of life and death and life consciousness.