书写“文革”始终是中国当代作家绕不过的母题。“文革”进入小说创作，始自七十年代末，并逐渐被划分为伤痕文学、知青文学、寻根文学等流派。如果说“新时期”的“文革”故事由亲历者写就，那么生于“文革”的70后则借助模糊的童年记忆完成对历史的回溯。随千禧年来到，80后作家陆续登上文坛。他们在“无历史感”的质疑声中逐渐走向成熟，开始尝试进入属于祖辈与父辈的历史，“想象”即是方法。在本文中，我将通过细读文本与理论分析的方式，解读80后作家笔下的“文革”。在纵向上，探究其相较于前人的“变”与“不变”；在横向上，概括同代人之间的“同”与“不同”。

Writing "Cultural Revolution" has always been a motif that Chinese contemporary writers cannot avoid. "Cultural Revolution" entered the novel creation, beginning in the late 1970s, and was gradually divided into wound literature, educated youth literature, root-seeking literature and other schools. If the stories of the "Cultural Revolution" in the "new era" are written by those who experienced it, then the post-70s born in the "Cultural Revolution" complete the historical retrospecting with the help of vague childhood memories. With the advent of the millennium, writers born in the 1980s have stepped into the literary world. They gradually mature in the voice of "no sense of history", and begin to try to enter the history of their grandparents and parents, "imagination" is the method. In this paper, I will interpret the "Cultural Revolution" in the works of post-80s writers through close reading of texts and theoretical analysis. In the vertical aspect, it explores the "change" and "invariance" compared with the predecessors. Horizontally, summarize the "same" and "different" among contemporaries.