随着现代科学技术的迅猛发展，虚拟制作作为信息技术延伸和应用的新领域，逐渐被业界和大众所关注和研究。其中，3D建模、人工智能、云计算、数字媒体等虚拟技术广泛地应用在舞台设计中，设计师们根据演出需要呈现效果，运用这些新的技术和表现手段，不断地开掘创意和灵感，既可以创造出有温度、有创意，趣味性的舞台作品，同时又带给大众不一样的审美体验。

笔者从事舞台设计相关工作多年，熟悉舞台设计的发展变化，有丰富的舞台设计实践能力。本文梳理了虚拟制作中VR、AR、MR、XR等虚拟技术应用在舞台设计中的特点、效果呈现、影响因素，针对目前虚拟制作应用在舞台设计存在的问题，深入分析引入虚拟制作对舞台设计的优势，探讨虚拟制作与舞台设计之间的关系，并选择笔者参与的蔚来汽车线下舞台和安利（中国）海外项目为实践案例设计，重点研究UE4、Depence2、3D MAX在舞台设计中的具体使用形式，总结归纳虚拟制作应用在舞台设计的设计方法，为未来从业者提供一些有关舞台设计的实践经验。

With the rapid development of modern science and technology, virtual production, as a new field of information technology extension and application, is gradually concerned and studied by the industry and the public. Among them, 3D modeling, artificial intelligence, cloud computing, digital media and other virtual technologies are widely used in stage design, designers according to the performance needs to show the effect, the use of these new technologies and means of expression, constantly explore creativity and inspiration, can not only create a warm, creative, interesting stage works, but also bring the public a different aesthetic experience.

The author has been engaged in stage design related work for many years, familiar with the development and change of stage design, and has rich practical ability of stage design. This paper sorts out the characteristics, effect presentation and influencing factors of the application of virtual technologies such as VR, AR, MR And XR in virtual production in stage design. In view of the existing problems in the application of virtual production in stage design, the advantages of introducing virtual production to stage design are deeply analyzed, and the relationship between virtual production and stage design is discussed. In addition, NIO offline stage and Amway (China) overseas projects that the author participated in were selected as practice cases, focusing on the specific use forms of UE4, Depence2 and 3D MAX in stage design, and summarizing the design methods of virtual production application in stage design, so as to provide some practical experience on stage design for future practitioners.