王安忆是中国当代文坛一位十分勤奋的作家，不断有新的作品问世。本文梳理了20世纪80年代以来王安忆乡土叙事小说的创作历程，尝试使用文本解读和文化批评的方法对小说中的乡土叙事流变进行分析。 本文由引言、正文、结语组成。正文分为三个部分，按照时间的顺序，对王安忆小说中的乡土叙事的流变及各阶段的主题、典型人物形象及艺术特点进行阐释。 第一部分的整体主题是乡土的批判。典型的人物形象包括以雯雯为代表的稚嫩纯真的知青形象、以捞渣为代表的仁义质朴的村民形象等；第二部分的整体主题是乡土的礼赞。单纯朴实、正直善良的姊妹们，直面苦痛、正视生活的知青们，每个人物身上都表现了江淮儿女的人情美和人性美。第三部分的整体主题是乡土的忧思。单纯真挚、由传统文化走向现代文明的秧宝宝与乐天安命、传统守旧的“公公”形成鲜明对比，表达了对现代化、工业化入侵下的乡村的留恋和惋惜。

Wang Anyi, an important cotemporary writer, has been plowing the fields of literary creation for thirty years. The present paper discusses and analysis the changes of Wang Anyi’s local narration in her novels with the methods of text interpretation and cultural criticism. This paper consists of introduction, body, and conclusion. The body part is divided into three parts, in which the researcher describes the changes and stages of local narration in Wang Anyi's novel, the image-building of typical characters, and its artistic characteristics according to the time order. The first part is the criticism of the country. The experience of living in the countryside for more than ten years brought an indelible impact on Wang Anyi. The lack of material life, the backward production methods, and the conservation and blocking of traditional culture are the portrayal of Wang Anyi's rural life in the early stage of rural narration. Therefore, the work of this stage is more likely to express the thoughts and evaluation on the conservative, backward local culture. The second part is the tribute to native soil. Escaping from local good occlusion, Wang Anyi wanted a wonderful modern civilization and began to write the works on urban narration. However, the city life and materialism let Wang Anyi fell into the confusion. When she looked back to native soil again with deep feelings, she found that the country she once wanted to escape had the most simple of passion, beauty, and customs. Wang Anyi expresses the local memories and praise through the local narration. The third part is the concerning about the native soil. With the development of rural urbanization, leisurely, comfortable, quiet, and harmonious rural world gradually disappear. Wang Anyi's local novels in this stage mostly expressed nostalgia and regret on native soil, which is under the invasion of the modernization and rural industrialization.