冯巩创作的一系列喜剧电影作品有着鲜明的平民性特征。这种平民性体现在小人物小故事的题材选择，生活化的场景设置，朴实自然的叙事方式，质朴清晰的影像风格，和真实生动的人物表演等方面。通过与当代中国喜剧创作中的其他一些重要作品相比较，可以见出冯巩喜剧作品在平民性表达上的独特性：它真诚地关注小人物的真实生活，着重于对小人物现时生活的表现，关注的视角集中到单个人物的个性品质上，着重于人物形象的塑造，性格的刻划和情感、态度的表达，坚持现实主义的创作取向，情节编织上生活化，情感基调轻松活泼，追求真善美等普泛意义的人文精神的主旨表达，淡化了讽刺效果，以语言的幽默诙谐，人物的喜剧性性格来产生喜剧效应。冯巩喜剧作品具有平民性特征主要源于冯巩个人的平民情怀和相声艺术的影响。从冯巩喜剧我们得到关于当前中国电影发展的一些启示，大制作影片不应脱离真实的生活和情感，平民性小电影创作应有真正的草根意识，在作品中应坚持积极的价值表达。

A series of comedy films created by Feng Gong have distinctive characteristics of the civilian population. The characteristics of civilian population embodied in the choice of the subject matters, the setting of the scene of life, the natural and simple narrative way, the simple and clear image style and the vivid characters with the real performances and so on. Feng’s works sincerely concern about the real-life of the little, mainly expressing their present life. What’s more, he puts his concerns to the future of a individual, and focuses on the quality of their life. The images of his films, the shape and the character of the characterization and the emotion of the little, the expression of his attitude, all adhere to the reality of the creative direction. That weaves the circumstances of life, however, he creates the humor atmospheres by the emotional tone and the relaxed and lively way of the characters. The civilian nature in Feng’s works mainly results from the civilian of Feng’s personal feelings and the impact of crosstalk art. In current China, big-budget films should not be divorced from real life and emotion,while small civilian films production should have the real grass-roots awareness. What’s more the works should adhere to the expression of positive value.