明代中期苏州及周边地区经济繁荣，统治者放松了对江南地区文人的钳制，加上苏州地区历来书画事业兴盛，吴门书派在此背景下崛起。吴门书派作为一个地域性的书法流派，其艺术成就之高，人数之多，影响之广都是罕见的。文徵明是明代吴门书派的领袖人物，他中年辞官归隐，从此致力于诗文书画，在明代书法史上留下了浓墨重彩的一笔。

文徵明诸体皆擅，其书学思想主要体现在《文待诏题跋》中。本文从三个方向来研讨清代对文徵明书法的接受。首先是清人对其各种书体的品评；第二是在清代碑学发展的背景下，从“工”与“拙”、“圆和”与“厚劲”、“滑”与“涩”三个方面探讨在新的审美标准下清人对文徵明的评价；第三是将云间书派的代表人物董其昌作为参照对象，根据文徵明与董其昌在清代的评价做对比讨论。整体来看，清人对文徵明的小楷评价最高；但对于其行草书则多有批评，例如缺乏个人风格、失之拘谨等，对于其篆隶书体则因文氏不得篆隶古法而评价较低。清代碑学大兴，文徵明作为帖学一脉的书家，其书法艺术并不符合碑派书法的审美倾向，因而受到一些负面品评。与董其昌相比，文徵明在清代受到的关注程度不及董氏，但文徵明学力深，守法度，在明代书法史中和董氏一样有重要的意义。

In the middle of the Ming Dynasty, Suzhou and its surrounding areas were prosperous, the rulers relaxed the stranglehold on the literati in the South of the Yangtze River, and the calligraphy and painting business in Suzhou was prosperous, so the Wumen School of calligraphy rose under this background. As a regional calligraphy school, the Wumen School of calligraphy is rare for its high artistic achievement, large number of people and wide influence. Wen Zhengming was a leader of the Wumen School of calligraphy in Ming Dynasty. He retired from office in middle age and devoted himself to poetry, calligraphy and painting since then, leaving a strong mark in the history of calligraphy in Ming Dynasty.

Wen Zhengming is good at all kinds of styles, and his thought of book study is mainly reflected in the preface and postscript of Wen Weizhao. This paper discusses the acceptance of Wen Zhengming's calligraphy in Qing Dynasty from three directions. First of all, the Qing people's comments on its various styles of writing; The second is the evaluation of Wen Zhengming under the new aesthetic standard under the background of the development of tablet science in Qing Dynasty; The third is to compare and discuss Wen Zhengming and Dong Qichang's evaluation in Qing Dynasty. On the whole, the Qing people have the highest evaluation of Wen Zhengming's minor script, but there are many criticisms of his cursive script, and the evaluation of his official script is low because Wen is not able to imitate the ancient method. Stele was flourishing in the Qing Dynasty, and Wen Zhengming, as a writer of the line of study, his calligraphy art did not conform to the aesthetics of stele calligraphy, so he received some negative comments. Compared with Dong Qichang, Wen Zhengming received less attention than Dong in the Qing Dynasty, but Wen Zhengming's calligraphy has its own characteristics and has important significance in the history of calligraphy in the Ming Dynasty.