本文将以21世纪中国蒙古族题材电影生态意识作为研究课题，选择这一时期较为突出的反映蒙古民族生态意识的电影，深入分析其中所表现的蒙古民族敬畏自然、崇尚生命，人与自然共生的传统生态意识；以及在现代文明的影响下，对以生态意识为根基的游牧文明发生变迁的反思。 在新的时代，电影艺术作为蒙古民族表达情感的方式之一，通过民族化的影像语言，将草原的自然风光直观地呈现在观众面前，追求真实的自然生态的审美体验，在蒙古族民歌的渲染下，营造出人与自然环境和谐共生的画面；同时影片将蒙古民族游牧式的生活方式、风俗习惯、宗教信仰等具有民族特色的内容融入到自然风光之中，表现出蒙古民族文化中所包涵的对自然的赞美以及对人与自然和谐相处的歌颂，传达出一个传统民族情感深处对自然的敬畏之情。蒙古民族善良淳朴、仁慈博爱，影片创作者设置了一系列反映人与人，人与动物之间关系的故事情节，表现出蒙古民族尊重生命，珍爱生命，平等地对待生命的生态意识，讴歌了蒙古族人民慈爱博大的胸怀，将质朴的人情美、人性美展现在观众面前。 在现代文明的冲击下，蒙古民族电影创作者利用新的媒介形式来表达自己对现代化进程的思考，通过影像化的语言展现蒙古民族所呈现出的对生存空间的焦虑以及对游牧文化生存危机的忧患。在现代文明将商业化、信息化带入草原的同时，也给他们带来了对生存空间的焦虑。影片展现了在草原生态环境极度恶化的状况下，普通蒙古族牧民的生活图景，表现出对蒙古民族固有的生存方式、传统文化发生改变的困惑与焦虑，以及面对现代文明对传统游牧文明的冲击时，产生了蒙古民族游牧文化是否会随着时代而消亡的疑惑。

This paper selects the ecological awareness of the 21st -century Chinese Mongolian films as a research topic, analyses the Mongolian movies which reflect awareness of ecological. This paper in-depth analysis’s the presence of the Mongolian worship of nature, clingfish of life, as well as nomadic civilization social changes in films. In the new period, film art, as one of a way that Mongolian express emotion, emerge the grassland scenery visually to audience through the nationalization of the image. They pursuit the naturally ecological experience and build a harmonious coexistence between man and natural environment with the Mongolian folk songs. Films, at the same time, integrate the Mongolian nomadic lifestyle, customs, religious beliefs, and so forth, which are full of ethnic characteristic, into content of the natural scenery, showing the praise to nature that contained in Mongolian culture, conveying a deeply national feeling of revering nature. Mongolian are kind-hearted, humanity, film creators set up a series of people, humans and animals, to reflect the Mongolian’s respect for life, cherish life, and to praise the broad mind of the Mongolian, with bringing beauty of sympathy and humanity to audience. Under the impact of modern civilization, a growing number of Mongolian film creators began using the medium to express their thinking on modern civilization, which was reflected that, in the process of modernization, the Mongolian had an anxiety of living space and the hardship of the survival of Nomadic culture crisis. Modern civilization has brought informatization and commercialization to the Mongolian people, while also captured their living space. Under the condition of the grassland ecological environment deteriorated, through the ordinary Mongolian herdsmen's life picture, these films show the anxiety of changing in Mongolian inherent way of life and the traditional culture, result in a doubt whether with the passage of time, the culture of Mongolian civilization will disappear.