中文题名: | 上海美术电影制片厂水墨动画的民族化研究 |
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保密级别: | 公开 |
论文语种: | 中文 |
学科代码: | 130303 |
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学生类型: | 学士 |
学位: | 艺术学学士 |
学位年度: | 2022 |
学校: | 北京师范大学 |
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提交日期: | 2022-06-18 |
答辩日期: | 2022-05-17 |
外文题名: | The Study on Nationalization of the Shanghai Animation Film Studio’s Water-Color Animation |
中文关键词: | |
外文关键词: | Water-Color Animation ; Shanghai Animation Film Studio ; Nationalization |
中文摘要: |
本文以上海美术电影制片厂在20世纪60年代至20世纪80年代之间创作的六部水墨动画为研究对象,结合六部水墨动画作品及部分同时期美国和日本动画进行横向比较。简述六部水墨动画对中国传统水墨画的继承与发展并综述水墨动画的美学特点,进而论述其在叙事策略和动画技法方面的民族化特征。在叙事策略上分别从情节设定、叙事视点及蒙太奇对叙事段落的构建三部分进行分析,在动画技法上则分别从动态呈现、色彩构成及听觉构成三部分进行分析。通过结合文本的归纳与举例论证得出以下结论:首先在叙事方面其情节上具有弱化戏剧冲突的共性,叙事视点具有“散点式”的特征并在蒙太奇的运用上具有民族化特色。其二,在技法运用上,研究对象的动态呈现围绕全面再现传统水墨画形象及实现“墨迹晕染”效果服务,具有缓慢连贯的运动规律特征。研究对象的色彩设计由于“墨”这种特殊工具的运用具有柔和协调的美学特点并主要围绕“墨分五色”对黑色的不同层次加以运用。研究对象的听觉构成除了承担叙事功能之外,更有营造意境,实现超越的审美功能。
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外文摘要: |
This study takes six water-color animations created by Shanghai Animation Film Studio between the 1960s and the 1980s as the research object, combined with six ink animation works and some American and Japanese animations of the same period for horizontal comparison. This study briefly describes the background of the creation of six water-color animations and summarizes the traditional Chinese aesthetic characteristics of ink animation, and discusses its national characteristics in terms of narrative strategy and animation techniques. In terms of narrative strategy, the construction of narrative passages is analyzed from the three parts of plot setting, narrative viewpoint and montage, and in terms of animation techniques, it is analyzed from three parts: dynamic presentation, color composition and auditory composition. By combining the induction and exemplary argumentation of the text, the following conclusions are drawn: first of all, in terms of narrative, its plot has the commonality of weakening the dramatic conflict, and the narrative viewpoint has the characteristics of "scattering" and the use of montage has the characteristics of nationalization. Second, in the application of techniques, the dynamic presentation of the research object revolves around the comprehensive reproduction of the traditional ink painting image and the realization of the "ink blending" effect, which has the characteristics of slow and coherent movement law. The color design of the research object has the aesthetic characteristics of soft harmony due to the use of the special tool "ink" and mainly focuses on the different levels of black around the "ink five colors". In addition to the narrative function, the auditory composition of the research object also creates an artistic mood and realizes the aesthetic function of transcendence.
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参考文献总数: | 32 |
插图总数: | 0 |
插表总数: | 0 |
馆藏号: | 本130303/22021 |
开放日期: | 2023-06-18 |