宁肯是一位优秀的当代作家，他的作品多次荣获鲁迅文学奖、老舍文学奖等重量级奖项。在宁肯的长篇小说《蒙面之城》《沉默之门》《天·藏》《三个三重奏》和散文集《北京：城与年》、非虚构作品《中关村笔记》以及“城与年”系列中短篇小说中，他对北京的书写独树一帜，从中可以清晰地辨认出北京的文化意蕴和乡土感觉。他的北京书写，既有原生的北京经验，也有与西藏想象的相互映照；既在反思和探照着北京的历史，也一直在尽力表达对北京文化的整体性认知。而在叙事方法方面，宁肯的北京书写中，他对于空间叙事的实践探索，对于对于注释和视角的创化使用，意象和隐喻的精微阐发，可以研析之处也很多。

本文在绪言中梳理了中国当代作家对北京书写的实践，并简要阐述了北京书写在宁肯创作中的概况。其后分三个章节对宁肯涉及到北京书写的作品进行较为细致的文本分析。第一章节为宁肯笔下北京书写的呈现，从他对北京话的使用、对北京人物形象的塑造、对北京这座城市的描写，归纳出宁肯北京书写的特点。第二章节为宁肯北京书写的叙事技巧，主要分析宁肯作品中的空间叙事、叙事视角、意象与隐喻，论述宁肯在叙事手法上的创新。第三章节从宁肯的个人经验出发，论证宁肯对北京书写的拓展，对北京“新”与“旧”的比照，探究“北京”与人的意义，进而阐发出宁肯在北京书写方面的独特文学价值。

Ningken is an excellent contemporary writer. His works have won many heavyweight awards such as Luxun Literature Prize and Laoshe Literature Prize. In Ningken's novels "Masked City"，"The Gate of Silence"，"Tian·Zang"，"Three Trio"，the essay collection "Beijing：City and Year"，the non-fiction work "Zhongguancun Notes" and "City and Year" series of short stories，his writing on Beijing is unique， from which can clearly identify the cultural connotation and local feeling of Beijing. His writing on Beijing not only has the original experience of Beijing，but also mirrors the imagination of Tibet. Not only reflecting and exploring the history of Beijing，but also trying to express the overall cognition of Beijing culture. In terms of narrative methods，in Ningken's Beijing writings，there are many things that can be studied and analyzed in his practice and exploration of spatial narration，his elaboration of images and metaphors，and his creative use of annotations and perspectives.

In the introduction，this paper reviews the practice of Chinese contemporary writers on Beijing writing and briefly expounds the general situation of Beijing writing in Ningken's creation. In the following three chapters，the author makes a detailed textual analysis of Ningken's works involving Beijing writing. The first chapter is the presentation of the Beijing writing in Ningken's pen，which sums up the uniqueness of his Beijing writing from his use of the Beijing dialect，the shaping of the Beijing characters and the description of the Beijing city. The second chapter is about the narrative of Beijing in Ningken's works，which mainly analyzes the spatial narrative， image，metaphor and narrative perspective in Ningken's works，and affirms Ningken's innovation in narrative techniques. The third chapter，starting from Ningken's personal experience, demonstrates Ningken's expansion of Beijing writing，compares the "new" and "old" of Beijing，explores the meaning of "Beijing" and people，and then expounding Ningken's unique literary val， ue in Beijing writing.