当代著名网络空间社会学家曼纽尔·卡斯特尔（Manuel Castelle）基于互联网的发展提出了“流动空间”（space of flows）这一理论，聚焦人文社会领域中的“空间”概念，关注在网络作为一种新型社会形态生产的先决条件下，“地域空间”（space of places）与“网络社会”的“流动”态势。而承载着音乐社交功能的音乐社交平台则是“流动空间”这一理论在数字时代的具体实践和体现，它展示了网络技术对于空间形态和社会实践的深刻影响和变革，也构筑着多样的融合生态。

故本文在卡斯特尔“流动空间”的理论框架下，以“地域空间”与“网络空间”中的音乐社交平台为研究对象，结合既有融合研究成果，从音乐社交平台的融合生态呈现、融合生态成因、融合生态问题以及融合生态优化建议四个维度探讨音乐社交平台的融合发展，本文也将围绕以下研究思路，旨在深化对“融合”这一母题的探究。

本文聚焦探析在空间的“流动”之中，音乐社交平台呈现出了何种融合态势，从技术、场景维度探究音乐社交平台的融合呈现形式，并以反向融合的新趋势观照音乐社交平台发展；第二，本文借助PPM（Push-Pull-Mooring）模型，探析音乐社交平台融合生态建构的成因，以推动因素、拉动因素及锚定因素三个视角分析融合生态建构的内部逻辑；第三，为了更为长远地巩固音乐社交平台融合成果，本文也窥见了在当下音乐社交平台融合生态建构中的现存问题，对融合发展建立准确、客观的认知；最后，本文在深化融合成果这一目标的基础之上，以音乐社交为底色，思考未来音乐社交平台融合的更多可能性，试为融合生态的进一步优化提供可行的建议。

综上所述，音乐社交平台正在以“流动”的态势践行着融合这一概念，本研究基于对音乐社交平台融合发展的认识，剖析其融合生态的建构逻辑，以期对未来的融合生态发展之路提供理论支持与实践诠释，为融合概念做出新的注解。

The famous contemporary cyberspace sociologist Manuel Castelle put forward the theory of "space of flows" based on the development of the Internet, focusing on the concept of "space" in the field of humanities and society,focusing on the integration of "space of places" and "space of the Internet" as a prerequisite for the production of a new form of society through the internet. The music social platform carrying music social functions is the specific practice and embodiment of the theory of "space of flows" in the digital age. It demonstrates the profound impact and transformation of network technology on spatial form and social practice, and also constructs a diverse integrated ecosystem.

Therefore, under the theoretical framework of Castelle's "space of flows", this paper takes the traditional music social platform in "space of places" and the music social platform in "space of the Internet" as the research object, and combines the research results of existing media fusion, from the integrated ecological presentation of the music social platform, the causes of the integrated ecology, the problems of the integrated ecology, and the suggestions for the optimization of the integrated ecological platform discuss the integrated development of the music social platform exploration.

First, this article focuses on the integration trend of music social platforms in the flow of space, explores the fusion presentation forms of music social platforms from the perspective of technology and scene, and observes the new trend of reverse integration platform development.Secondly, this article will use the PPM (Push-Pull-Mooring) model to explore the causes of the integrated ecological construction of music social platforms, and analyze the interior of this integrated ecological construction from three perspectives:pushing factors, pulling factors and mooring factors logic.Third, in order to consolidate the results of the integration of music social platforms in the long run, this article also glimpses the existing problems in the current ecological construction of the integration of music social platforms, and establishes an accurate and objective understanding of the integration development.Finally, this article deepens on the basis of the goal of integrating results, with music social as the background, consider more possibilities for the integration of music social platforms in the future, and provide feasible suggestions for further optimization of the integration ecology.

To sum up, music social platforms are practicing the concept of integration in a "flow" manner. Based on the understanding of the integration and development of music social platforms, this study analyzes the construction logic of its integration ecology, with a view to the development of integration ecology in the future. Provide theoretical support and practical interpretation, and make new annotations for the fusion concept.