希腊文学一直作为西方文学重要源头之一受到高度关注，古希腊悲剧又是希腊文学中不可或缺的重要组成部分。由于古典时期雅典妇女的权利地位被剥夺，两性关系就作为悲剧中的一个重要环节被想象、投射与渗透。本文试图关注古希腊悲剧中反映出的两性关系与地位争夺，从《阿伽门农》中卡珊德拉的命运唱词入手，分析文本对俄瑞斯忒亚三部曲人物命运所作揭示。通过梳理悲剧情节形成的回环式复仇动线，并分析其正义性，拟进一步探究三部曲中折射的性别差异及权力地位。本文从戏剧的文学书写出发，结合时下意识形态了解其对人物形象、命运的塑造，试图揭示男女两性在相互扭结中相互折射、在辩证中对立统一的关系。

Greek literature has always received great attention as one of the important sources of Western literature, and ancient Greek tragedy is an indispensable and important part of Greek literature. Due to the denial of the rights and status of Athenian women in the classical period, gender relations were imagined, projected and infiltrated as an important link in the tragedy. This article attempts to focus on gender relations and power struggles reflected in ancient Greek tragedies. Based on this, the article will start from the fate of Cassandra in Agamemnon, sort out the loop-type revenge line formed by the tragic plot through the analysis of the text's revelation of the fate of the characters in the Oresteia trilogy, and analyze its justice, further glimpse the gender differences and power status refracted in the trilogy, then understand its shaping of character image and fate from the literary writing and ideology of the drama, reveal the gender relations that are refracted in mutual kinks and opposed and unified in dialectics. Finally, it explores its value and enlightenment for the construction of contemporary society through the research interpretation and literary rewriting of later generations.