沈树镛活跃于咸丰同治年间，是金石学史上一位非常值得重视和研究的人物。作为晚清重要的金石收藏家，尽管在世只有短暂的四十二年，但他将自己的大部分精力、财力和热情都投入到金石碑版收藏上来。沈氏所藏拓片种类丰富，质量上乘，大多为初拓本或海内孤本，现主要收录于《汉石经室题跋》与《郑斋金石题跋记》中，遗憾的是，其大半收藏已散佚。除重视收藏外，沈树镛在书法、绘画、作诗方面也独具才华。

拓片作为金石学研究最重要的载体和对象，其版本品第和收藏渠道备受关注，藏品的质量和数量决定着在金石生态交友圈中的地位。在没有正式形成市场之前，缺乏与外界的广泛互动就无法按图索骥，实际操作如同大海捞针。沈树镛的征集网络遍布全国，他深谙各种媒介可以及时获取信息，并有来自各位师友的鼎力相助，如赵之谦、魏锡曾、俞樾、徐三庚、吴大澂、翁同龢、何绍基等等。沈树镛也绝不会将自己的藏品秘不示人，而是第一时间与众好友分享，并邀请为之题跋，以将自己的拓片快速推向经典化。在收藏的过程中，沈树镛的审美情趣和择选标准都在不断的变化，沈氏的收藏和金石观念也将成为本论文研究的重点和探索的方向。

本论文将分四章来论述。第一章主要介绍沈树镛的家世生平及其收藏的概况。第二章讲述沈树镛的收藏活动，将其现存收藏进行分类，分为金石类、帖类和书画类，以了解收藏的版本和质量；通过对其交友情况进行划分，按照地理位置分为川沙、京师和苏杭，以明确收藏的来源与社会交往情况。第三章重点阐述沈树镛的金石观念，分为对版本特征的关注、对碑帖的考辨和对碑帖的鉴赏三个小节。第四章深入分析沈树镛收藏对后世的影响及对历史的贡献。通过这一个个案的研究，以期了解此咸同年间金石学的社会生态环境，寻找学术交流共同体的构建纽带和师友之间金石交流的合作机制，归纳总结沈树镛的收藏观及对后世的影响。

Shen Shuyong was active in the Tongzhi period of Xianfeng, and he is a figure worthy of attention and research in the history of epigraphy. As an important gold and stone collectors in the late Qing Dynasty, although he only lived for a short forty-two years, he became famous in a short period of time, which shows that it has cost most of his energy, money and enthusiasm. Shen's collection of rubbings is rich in variety and high in quality, most of which are preliminary rubbings or domestic orphans，Shen 's collection is included in the "Han Shi Jingshi Postscript" and "Zheng Zhai Jinshi Inscription Postscript". Regrettably, most of his collection has been lost. Besides the focusing on collection, Shen also has unique talent in calligraphy, painting, and poetry.

Rubbings, as the most important carrier and object of epigraphy research, have attracted much attention for their editions and collection channels. The quality and quantity of collections determine their status in the Jinshi ecological circle of friends. Before the market is formally formed, it is impossible to get the valuable rubbings without extensive interaction with the outside world. The actual operation on collection is like finding a needle in a haystack. Shen 's solicitation network is spread all over the country, He is well versed in all kinds of media to get information in time, and with the great help from all the teachers and friends, such as Zhao Zhiqian, Wei Xizeng, Yu Yue, Xu Sangeng, Wu Dacheng, Weng Tonghe, He Shaoji and so on. Shen Shuyong will never keep his work secret from others, but share it with his friends for the first time and invite him to post it in order to quickly push his rubbings into a classic. In the process of collecting, Shen Shuyong's aesthetic taste and selection criteria are constantly changing, and Shen's collection and the concept of Jinshi will also become the focus of this thesis and the direction of exploration.

The thesis will be divided into four chapters. Chapter Ⅰ mainly introduces Shen 's family history and the overview of his collection. Chapter Ⅱ tells about Shen’s collection activities and classifies his existing collections into gold and stone, post and calligraphy and paintings in order to figure out the version and quality of his collections. At the same time, this chapter divides his friends into Chuansha, Jingshi and Suhang according to different regions, in order to clarify the source of the collection and social interactions. Chapter Ⅲ focuses on Shen 's view of gold and stone, which is divided into three subsections: the attention to the characteristics of the version, the examination of the rubbings, and the appreciation of rubbings. Chapter Ⅳ deeply analyzes the influence of Shen 's collection on future generations and his contribution to history. Through the study of these case, the thesis aims to understand the social environment of epigraphy in these years, and seeks for the construction of academic exchange community and the cooperation mechanism behind the rubbing exchanges between teachers and friends. Meanwhile, it summarizes Shen's view of collection and its influence on future generations.