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中文题名:

 媒介融合视域下的粤港澳大湾区文化创新传播(博士后研究报告)    

姓名:

 张烨    

保密级别:

 公开    

论文语种:

 中文    

学科代码:

 130300    

学科专业:

 戏剧与影视学    

学生类型:

 博士后    

学位:

 艺术学博士    

学位类型:

 学术学位    

学位年度:

 2021    

校区:

 北京校区培养    

学院:

 文化创新与传播研究院    

研究方向:

 文化传播学    

第一导师姓名:

 于丹    

第一导师单位:

 北京师范大学文化创新与传播研究院    

提交日期:

 2021-06-08    

答辩日期:

 2021-05-31    

外文题名:

 The innovation communication of GBA culture under media convergence view    

中文关键词:

 媒介融合 ; 粤港澳大湾区 ; 文化传播 ; 创新    

外文关键词:

 mediaconvergence ; theGreaterBayArea ; culturecommunication ; innovation    

中文摘要:
媒介融合的进程也是文化融合的进程,媒介融合视域下的文化传播场景将人与物、人与技术、人与人等多重关系卷入到新的传播空间并由此产生了一系列的联动效应,先前多种不同的媒介技术逐渐融合成为彼此共享的平台,多种不同类型的文化文本逐渐整合成为彼此互文的超文本形态。媒介融合视域下的粤港澳大湾区文化传播进一步凸显了“人文湾区”这一重要议题的意义与内涵,其不仅塑造着粤港澳大湾区的社会和历史,同时还预示着大湾区的发展。可以说,“人文湾区”几乎关涉着这片区域已然发生的、即将发生的以及应当发生的所有事件。“人文湾区”令一个与众不同的区域文化形象从一批同质化的文化品牌中脱颖而出,大湾区区域文化的传播只有找准独有的发展定位和文化风格,才可能呈现出独具个性化符号特色的品牌传播效果。
本报告经过系统调研认为,媒介融合时代下粤港澳大湾区的文化传播一方面要突出大湾区形象的整体性,整体性的意义即媒介融合过程中各个文化资源要素和数据要素在整体价值观视域下的有机组合,代表着粤港澳大湾区在文化丛、文化圈、文化层维度下特定的生活方式、文化感知和消费实践,能够传达粤港澳大湾区独特的文化理念和品质,也能够与受众形成长效且持续的互动。另一方面粤港澳大湾区区域文化的传播也要在整体的思维中注重局部差异,差异不是纷繁复杂又琳琅满目的局部业态,而是在媒介融合过程中,各个文化资源要素和数据要素保持独立价值和优势的前提下做到“形散而神不散”,从而形成整体性互补的文化传播场景体验。媒介融合时代,粤港澳大湾区区域文化传播的创新需要上层机构连接受众、满足用户越来越多样化的需求,更需要从治理内容拓展到接触内容和受众的意识、行为和能力的治理,主动地回应受众的文化需求,建立良性的媒介融合文化信息治理生态。
外文摘要:
The cultural communication scene under the media convergence view field involves the multi-relationship between man and thing, man and technology, man and man into the new communication space and produces a series of linkage effects, many different media technologies have gradually merged into a shared platform, and many different types of cultural texts have gradually integrated into the hypertext form of mutual text. Therefore, the process of media integration is also the process of cultural integration, media integration under the view of Guangdong-Hong Kong-Macao Greater Bay Area cultural communication further highlights the " Human Bay Area " this important issue of significance and connotation, which not only shapes the Guangdong-Hong Kong-Macao Greater Bay Area's society and history, but also foreshadows the development of the Great Bay Area. It can be said that the "Human Bay Area" is concerned with almost all the events that have occurred, are about to happen and should occur in this area. "Human Bay Area" makes a different regional cultural image from a number of homogenized cultural brands stand out, the spread of regional culture in GBA can only show a unique brand communication effect with unique characteristics of personalized symbols if it is found to be unique in its development orientation and cultural style.
After systematic research and discussion, the present report concludes that, on the one hand, the cultural communication of GBA under the era of media integration should highlight the integrity of the image of the Great Bay Area, the significance of the wholeness is that the organic combination of various cultural resource elements and data elements in the overall values domain in the process of media integration, represents the specific way of life, cultural perception and consumption practice of GBA under the cultural plex, cultural circle and cultural dimension, and can convey the unique cultural concept and quality of GBA, and can also form long-lasting interaction with the audience. On the other hand, the dissemination of regional culture in GBA should also pay attention to local differences in the overall thinking, the differences are not complicated and full of local business patterns, but in the process of media integration, the various cultural resource elements and data elements to maintain independent value and advantages under the premise of "dispersal and godless", thus forming a holistic complementary cultural communication scene experience. In the era of media convergence, the innovation of regional cultural communication in GBA needs the upper-level organizations to connect the audience and meet the increasingly diversified needs of users, and the governance of the consciousness, behavior and ability to expand from the content of governance to the contact content and audience, to respond to the cultural needs of the audience and establish a benign media fusion cultural information governance ecology.

参考文献总数:

 67    

作者简介:

 张烨,中国传媒大学博士,北京师范大学博士后。在《电影艺术》《电视研究》《中国电视》等CSSCI及核心期刊发表论文若干。主要研究领域为新媒体艺术、数字文化创意产业、文化传播等。    

馆藏地:

 图书馆学位论文阅览区(主馆南区三层BC区)    

馆藏号:

 博130300/21014    

开放日期:

 2022-06-08    

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