安塞姆·基弗是当代最有影响力的艺术家之一，不仅在德国新表现主义中占据着一席之地，在世界范围内也得到了广泛的关注与认可。基弗的作品源于对历史、宗教与诗歌的理解，也正是历史的矛盾与复杂、宗教的神秘以及诗歌的浪漫促使基弗利用丰富的材料与灰暗色调呈现有深厚的内涵的作品。

基弗将自然、工业与现成品材料作为工具，利用重叠、拼贴、扬沙与火烧等创作手法使画面表现出丰富的肌理，并以二维画面、综合材料与舞台装置的形式呈现，通过形式与形式之间不断穿插与嫁接呈现不断变换的空间，使观者穿梭于真实空间与虚拟空间之间。基弗利用严谨的哲学逻辑作为桥梁连接于材料与涵义之间，使物质材料转变为观念材料服务于创作，形成一种独特的创作形式。

基弗的观念通过材料与特殊工艺产生了具有强烈视觉冲击力的废墟场景，通过哲学逻辑引导观者进行反思，并唤醒人们的正义感。从基弗的作品中看出基弗在反思历史与践行当下的同时，也对德国文化与艺术充满重生的期望。

本文以基弗作品的材料作为出发点，研究基弗作品的材料、色彩呈现与创作背景，以基弗自述作为理论支撑，寻找其拼贴、火烧等创作方法以及哲学观，从而进一步对反思历史、唤醒正义、毁灭与重生的观念进行深入解读。最终找到材料与观念间的联系，并将其借鉴到本人的创作当中。

Anselm Kiefer, one of the most influential contemporary artists, earns himself a place in German New Expressionism and has been widely recognized in the world. Kiefer owes his profound works to the understanding of history, religion and poetry, contradiction and complexity of history, the mystery of religion and the romance of poetry by using a combination of materials and gray tones.

Kiefer uses natural, industrial and ready-made materials as tools to make pictures with rich texture by means of overlapping, collage, sand blowing and burning, and presents the pictures in the form of two-dimensional images, comprehensive materials and stage devices. With the help of continuous interspersion and grafting between forms, he presents ever-changing space, thereby making the audience enjoy both real space and virtual space. Kiefer adopts rigorous philosophical logic as a bridge between material and meaning, to ensure that physical material can be transformed into concept material and serve for creation, forming a unique creation method.

Kiefer's creative idea generates the ruins scene with strong visual impact through materials and special crafts, guides the audience to reflect through philosophical logic, and awakens people's sense of justice. Kiefer's works manifest that Kiefer wishes for rejuvenation of German culture and art while reflecting on history and living it in the present.

Based on the material of Kiefer's works, the thesis studies the material, color presentation and creation background of Kiefer ' works, and adopts Kiefer's statement as a theoretical support to find the creation methods such as collage and burning and philosophical views, in a bid to remember the histories and awaken justice . and conduct in-depth interpretation of the concepts of destruction and rebirth. Finally, the thesis aims to identify the connection between material and concept, and use it for the author's creation.