20世纪以来，东亚国家在短期内经历着极其迅速的社会变革。这样的社会变革对东亚传统的价值观、家庭关系产生了巨大影响，更进一步使得社会有了全面变化。目前东亚国家不仅遇到了其它西方发达国家出现的各种社会问题，而且面临家庭结构的崩溃与家庭价值观的变化的危机。由此，代表东亚传统儒教国家以及家庭观念较浓厚的韩、中两国家庭正在经历某种变异期。本论文从“电视剧所反映的社会现象及其引导作用”作为切入点，选了2000年以来两国收视率高的家庭剧来分析，探讨目前两国家庭文化和主要家族价值观，比较韩、中两国家庭文化上家庭意识的异同点。第一是比较和分析各时代电视剧中的女性角色的特征和变化. 女性形象的变化和家庭结构紧密相关，因此分析了在过去30年里女性的地位是怎样变化，产生此类变化的原因，以及韩中电视剧中的女性面貌在细节上的差异。第二是以霍夫斯泰德的交叉文化比较方法，观察了权威主义价值观强烈的、在文化上相近的，两国在家庭电视剧中有怎样细微的差异。第三是观察家庭剧中集体主义价值观以怎样的形式存在。和第二种比较方法相同，将家庭成员为家庭奉献、牺牲设定为主要变因，以这种变因为基础可以分为集体主义性质和个体主义性质的家庭电视剧。此结果发现，各时代的韩、中电视剧中所描写的女性形象发生了明显的变化。 两国女性地位和意识变化都逐渐接近西欧女性。在两国女性都在家庭的角色与社会要求的角色，传统价值与现代的价值之间，依旧经历并存的事实。电视剧的女性被当作反面的形象来描写，以自律的女性为标榜的电视剧当中，我们仍然能发现有男权主义，与传统家族价值观存在。第二是，在韩国社会中权威主义是相当普遍的，父母和子女的关系，职场上司和属下的关系等，在一般生活中“长幼有序”，这个序列意识被认为是理所当然的倾向。韩国要比中国有更强的权威主义的倾向，这些要素在电视剧中可以证明。第三是，在电视剧中，特别是韩国和中国依然有着相当强的集体主义的倾向。就像在电视剧里面表现的，个人自发性的牺牲不是被夸张，而是在家庭主义文化中常常呈现出来的现象。韩国和中国对比，中国已经比韩国更早地从集体主义的倾向转变为个体主义的倾向。 在当今时代，虽然长时间受到传统家庭文化的影响，韩、中两国仍然存在着强烈的集体主义倾向，但受现代化和产业化的发展的影响，西方个体主义倾向已经产生，从而导致在家庭电视剧中两种价值观并存。

East Asian countries are in the 20th century. For a short period of time they experienced very rapid social changes, which affected the country's most fundamental institution of the family. East Asia’s reforms, rising divorce rate, remarriage, separation, death, personal choices etc, all point to ‘the breakup of the family’ being ‘the new family structure'. The West brings diverse and complex forms of new structure to the emergence of a collapsing family system under a fabricated mainstream society.This paper take the "TV series reflected some of the social phenomenon “ as an entry point, and chose some high ratings TV series on 2000’s as analyze, discuss bilateral family culture and family values, between south Korea and China.This paper take the "TV series reflected some of the social phenomenon “ as an entry point, and chose some high ratings TV series on 2000’s as analyze, discuss bilateral family culture and family values, between south Korea and China.First, compare and analysis of the role and changes of women in each era drama features. These changes is related to the analysis of the position of women in the past 30 years. This paper focus on how these changes happens.Secondly, based on Hofstede's cross-cultural comparison, we observed the strong authoritarian values, culturally similar between the two countries. Thirdly, observed the collectivist values of the family drama to exist in It was found that the drama of all times has undergone significant changes. The women's status and the sense of change move closer to Western European women. Between the two women in the role of the family and social requirements of the role of traditional values and modern values still experience the fact that co-exist. The drama of women as a negative image to describe women and self-discipline among the advertised TV series, we are still able to find still patriarchal and traditional family values exist. Secondly, the relationship between parents and children, workplace supervisors, and under the relationship, which authoritarianised quite common, in normal life, in Korean society, South Korea has a stronger authoritariantendency than China. Thirdly, in the drama, China has a very strongtendency to collectivism than South Korea still. South Korea and China compared to China earlier than in South Korea from the collective tendencies into individual tendencies. In the modern era, although a long time by the traditional family culture, South Korea, and China there are still a strongsense of collective tendencies, but by the impact of modernization and industrialization development tendency of Western individualism has produced, resulting in the family two values co-exist in the drama.