本文的研究对象是晚清至民国初年词坛领袖朱祖谋（1857-1931）编纂的大型词籍丛刻《彊村丛书》。本文将研究对象置于19世纪最后10年至20世纪前30年的时代环境中，以传统词学向现代词学的过渡为学术史背景，以词学发展成为专门的学术科目和词籍校勘学的建立为研究视角。 朱祖谋是这一时期词体创作和词学研究的核心人物，具有总结传统词学和开启现代词学的重要学术地位。他是晚清时期学人专门化的代表，毕生以词学研究和词籍整理校勘为业，不旁骛他学，他最核心的词学活动就是校刻《彊村丛书》。他是晚清词籍整理校勘活动的中心人物，在他周围形成了一个将词体创作、理论研究和词籍校勘相结合的学术共同体——彊村派词人群体。 晚清民初时期，在词学尊体观、词学研究学术化、保存国粹思潮和词籍校勘思想发展的影响下，在近现代词学转型的发展要求下，词籍整理校勘活动兴盛起来，出现了数十种大型词籍丛刻，这是晚清民初词学最重要的学术特征之一。《彊村丛书》是其中的集大成者。《彊村丛书》在历代词籍丛刻和清代词籍校勘成果的基础上，以校勘经史的态度和方法校勘词籍，以集体编撰方式完成校刻，广采博收，通过四次增补勘定，历时数十年之久，具备了严谨的编纂体例和系统的校勘方法，对词籍版本目录、收藏流传等外部情况，以及词作韵律字句、集名题序、异文互见、辑佚编年等内部形式，进行了精审的校勘。 《彊村丛书》是词籍校勘学建立的标志，确立了词籍校勘学在词学研究体系中的地位，开启了现代词学家大规模全面编纂历代词全集的先声，为现代词学的繁荣奠定了文献基础，推动了近代词学向现代词学的过渡和现代词学研究体系的建立。在校刻《彊村丛书》的过程中，形成了以朱祖谋为中心的词人群体和词学研究共同体，促进了晚清民初的词坛学人之词和梦窗词风的兴盛。 考察朱祖谋《彊村丛书》相关的词学活动、词学思想、编纂过程、校刻体例和校勘方法，及其词学史地位与价值，能够还原传统词学的治学方法，展现晚清民初词学在整个词学史上承先启后的重要意义。

This doctor dissertation was the research on Zhu Zumou who was the academic leader in studies of the ci poetry from late Qing dynasty to early years of the Republic of China and the series of Ci books ‘Qiang Cun Cong Shu’ emendated and printed by Zhu Zumou. This article’s study object was putted into the time of last ten years of 19th century to early thirty years of 20th century and the intellectual history of the transition period from traditional academic to modern academic. In this period Ci Xue turned into an expertise subject, meanwhile the bibliography especially for the study of Ci documents was constructed. ‘Qiang Cun Cong Shu’ was the highest achievement in the field of traditional emendation for Ci documents. It opened the antecedent of arge-scale emendation for Ci documents which was the foundation of the boom of modern Ci Xue. By emendating and printing Ci documents, it formed a creative and academic group to center around Zhu Zumou. They effected the creative climate and research direction, at the same time Ci xue achieved the transform from traditional academic to modern academic. This paper would intensively study academic activities, emendation thought and method, compile style about Zhu Zumou and ‘Qiang Cun Cong Shu’.