一方面，羽生结弦通过花样滑冰建立自我的内在性，但这种内在性是唯我论的，对应着传统体育竞技中的目的论叙事。另一方面，羽生结弦的花样滑冰作为连接羽生结弦与观众、自我与他者的媒介，指向无限的他人，超越了再－现/现在的秩序，处于未-来的状态。羽生结弦作为主体，既不是胡塞尔意义上的超越论的我思主体，也不是海德格尔意义上的存在论主体，而是列维纳斯意义上的伦理性的主体，通过对他者的替代与责任，自我获得自己的独一性。

On the one hand, Yuzuru Hanyu establishes the immanence of the subject through figure skating, an egoistic immanence, corresponding to the teleology in traditional sports competition. On the other hand, Yuzuru Hanyu's figure skating serves as a medium that connects Yuzuru Hanyu with the audience, the subject with the other, pointing to the infinite Other, beyond the order of re-present/present, in the state of to come. Yuzuru Hanyu as a subject is neither a transcendental ego subject in the sense of Husserl nor an existential subject in the sense of Heidegger, but a subject in the ethical sense of Levinas, where the self acquires its own uniqueness through substitution and responsibility for the Other.