中国原始神话具有瑰丽丰富的原型基础，在影视荧幕的领域中屡屡得到改编诠释，已屡见不鲜，而源自中国上古神话中的西王母这一神祇正是其中一例典型。目前，国内出现西王母形象的影视作品，以《奔月》《十二生肖传奇》等剧目为代表，共计超过十五部，具有详细研究价值的共九部。其影视形象诠释较为丰富，足以以影视作品为研究依据，从神话原型角度出发，联系影视作品拍摄的社会背景的时代需要，进行西王母神话在影视中的置换变形研究。

本文将从西王母神话原型流变、当代国内影视作品中的西王母及以其为中心的神话体系构建、母系神话影视化改编的当代偏好及内涵几节入手，诠释母系神话的当代影视表达状态。本文试通过研究西王母其母神典例及其背后母系神话在现今国内影视作品中的演绎现状，探寻并开拓以原始母系神话为代表的中国上古神话在影视作品中的发掘、运用，为国产神话题材影视作品拓展更多表达素材与精神内核。

Chinese primitive mythology has a magnificent and rich archetypal foundation, which has been repeatedly adapted and interpreted in the field of film and television screens, and the goddess of the West Queen Mother derived from Chinese ancient mythology is one of the typical examples. At present, there are more than 15 film and television works with the image of the queen mother of the West in China, represented by dramas such as "running to the moon" and "Legend of the twelve zodiac", and a total of nine with detailed research value. Its film and television image interpretation is relatively rich, which is enough to take film and television works as the research basis. From the perspective of mythological prototype, combined with the needs of the times of the social background of film and television works, this paper studies the replacement and deformation of the myth of the West Queen Mother in film and television.

This paper will interpret the contemporary film and television expression state of matriarchal mythology from several sections: the evolution of the prototype of the myth of the West Queen Mother, the construction of the myth system centered on the West Queen Mother in contemporary domestic film and television works,and the contemporary preference and connotation of the film and television adaptation of matriarchal mythology. This paper tries to explore and explore the exploration and application of Chinese ancient myths represented by primitive matrilineal myths in film and television works, so as to expand more expression materials and spiritual core for domestic mythological film and television works.