中文题名: | 告别神圣之光——20世纪西方文艺美学中的作者论 |
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保密级别: | 公开 |
论文语种: | chi |
学科代码: | 050101 |
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学生类型: | 硕士 |
学位: | 文学硕士 |
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学位年度: | 1996 |
学校: | 北京师范大学 |
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提交日期: | 1996-06-30 |
中文摘要: |
作者理论在20世纪西方发生了重大转变。本文尝试对此作初步分析。论文重点考察六种现代作者理论 欲望性作者、语言性作者、沟通性作者、生产性作者 死亡性作者和话语功能性作者。论文认为现代作者论是对古典作者的反拨的产物,有助于消解作者的绝对权威而展示多种风貌,但又以牺牲作者的历史性为代价。论文最后主张,作者具有历史性,但同时可以多态共生。 |
外文摘要: |
This thesis is purposed to analyse preliminarily the theories of authorship. which have changed greatly in the west in the 20 century . It studies mainly six modern theories of authorship.i.e. lusting authorship , linguistic authorship , communicative authorship, productive authorship dead authorship and discourse-functional authorship It holds that modern theories of authorship , resulting from rectifying classical authorship helps dissolve author's absolute authority and reveal its varied forms:only at the cost of its historic character . Finally it maintains that authorship is a historic concept , while authors can co-exist in varied forms. |
参考文献总数: | 23 |
馆藏号: | 硕050101/9310 |
开放日期: | 2024-03-14 |