电影在张爱玲的创作生涯中始终扮演着重要的角色，从她早期发表影评到后来为电影公司撰写剧本，电影和她的人生息息相关，是张学研究者们不能忽视的一块田地。考察张爱玲的电影剧本创作生涯，我们发现她有两个高峰期：一为一九四六年，此间她写作了电影剧本《太太万岁》和《不了情》；一为六十年代，此间她曾为香港电懋公司的编剧，编写了大约十个剧本，以《南北一家亲》等喜剧居多。张爱玲的电影国内不乏有人研究，但研究者大多停留在其电影文本的分析，如张爱玲电影及其女性主义的体现，张爱玲电影与好莱坞电影的关系等。本文试就梳理张爱玲研究线路的同时，融入对张电影文本的分析。除此之外，更关键的有二：一是还原一个作家创作时的真实状况，考证她在创作时究竟受了什么因素的影响；二是由张的创作出发结合当下影视创作，谈谈作家在剧本创作时如何把艺术个性与电影剧本的商业属性挂钩。

Film plays an important role in Eileen Chang’s career, from her early movie critics later to writing the scripts for movie companies, film and her life is closely related to each other,which should not be ignored by the Chang researchers.Study on her screenplay career,we find that she had two peak periods: one in 1946, when she had been writing screenplays, "Long live the wives" and "Endless love"; one for the sixties, when she became a screenplayer of DianMao Hong Kong's company, the script prepared by about 10 to "a pro-North and South" and other mostly comedy.Eileen Chang’s film was no lack of domestic research, but most researchers remain in their analysis of the film text, such as Eileen Chang’s film and the embodiment of feminism,Eileen Chang’s film and the relationship between Hollywood films.This paper studies on the comb lines between how Eileen Chang work on the screenplay and her films.In addition, there are two more crucial: first, to restore the creative writers at the time of a real situation, in her research by creating what the impact of what factors; second, starting from the sheet, the creative combination of the current film and television creative, talk about the writer scripts creative in how art and personality screenplay linked to commercial property.