山地之子贾平凹是中国当代文坛上一位非常杰出的作家。他的乡土小说继承和发展了中国现代的乡土文学，他的作品大多数都是以农村生活为题材，表现了农村的风土人情以及农村生活的变迁。这些都来源于他内心深厚的乡土情结，也体现了他对故乡——商州深深的依恋。农民出身，对童年的深刻记忆以及19年商州农村生活的经历使他自觉地将文学的笔触伸向了生他养他的商州大地，使他每时每刻都在关注着乡亲们的生活和未来，成为了现当代乡土文学的代表人物。本文以“情结”为切入点，通过对贾平凹小说中的乡土情结、乡土文化意识的表现、乡土文化精神的没落三章，结合其有代表性的《白夜》、《秦腔》两部小说来浅析贾平凹的“乡土文化”，和其对“乡土”文化的影响、改变与再创。

In Shangzhou, mountain son of Jia Pingwa's local novels inherit and development of the Chinese modern local literature. His works, most of which are in rural life as the theme, the performance of the rural customs and rural life changes. These are derived from his heart deep native complex, also body now his hometown Shangzhou deeply attached to. Born in a peasant family, childhood memories and 19 in Shangzhou rural life experience made him consciously literary brushwork toward the students he raised his land, he every attention to folks life and future, become contemporary Native Literature representative. In this paper, the "complex" as the breakthrough point , by the hometown complex in Jia Pingwa novels, rural cultural consciousness, the decline of local cultural spirit in chapter three, combined with the representative two novels to analyze Jia Pingwa's "local culture", and its impact on the "local" culture, change and create.