- 无标题文档
查看论文信息

中文题名:

 诺兰电影“迷影”文化成因研究    

姓名:

 涂玮城    

保密级别:

 公开    

论文语种:

 中文    

学科代码:

 130300    

学科专业:

 戏剧与影视学    

学生类型:

 硕士    

学位:

 艺术学硕士    

学位类型:

 学术学位    

学位年度:

 2019    

校区:

 北京校区培养    

学院:

 艺术与传媒学院    

研究方向:

 影视史论    

第一导师姓名:

 宋维才    

第一导师单位:

 北京师范大学艺术与传媒学院    

提交日期:

 2019-06-11    

答辩日期:

 2019-06-04    

外文题名:

 RESEARCH ON THE CAUSES OF CINEPHILIA PHENOMENON ABOUT NOLAN    

中文关键词:

 克里斯托弗·诺兰 “迷影” ; 成因研究 ; 电影风格 ; 折中主义    

中文摘要:
“迷影”意指人们对电影的迷恋,“迷影”现象几乎与电影同时诞生,随着世界电影100多年的发展,“迷影”日益成为一种全球化、大众化的文化现象。但是,对于“迷影”现象的研究却始终处于学术界的边缘地带,目前为止,国内能够查询到的相关文献屈指可数,而且研究角度比较单一,多集中于“迷影”现象的宏观层面,缺少个案分析。 克里斯托弗·诺兰,被认为是21世纪以来,好莱坞最炙手可热的导演之一。其遍布全球的“迷影”群体,既庞大而又狂热,是典型性与特殊性的统一。本文试图从两个维度去探讨了诺兰电影“迷影”现象形成的原因。 首先是诺兰电影的文本维度。诺兰能过获得观众的崇拜,归根结底,是因为他的电影和观众之间产生了情感/情绪上的共鸣,因此,本文认为诺兰电影中那些能够激发观众共鸣的元素,是其“迷影”现象产生的主要原因,而“迷影效应”即是这种共鸣产生的机制。论文从三个层面——视听语言、叙事模式及价值观念——分析了诺兰电影中的“迷影效应”。 在视听语言层面,诺兰电影的“迷影效应”表现为“黑色影像”、“视觉奇观”和汉斯季默的“配乐加成”;叙事层面的“迷影效应”表现为“迷宫叙事模式”、“古典主义的故事内核”、“科学概论与故事的强逻辑性”;价值观层面的“迷影效应”,一方面表现为他电影中的“批判成分”,另一方面有表现在电影中的“妥协成分”。总体而言,诺兰的电影体现了一种“折中主义”的创作思路,这种折中主义的创作思路,良好的平衡了“精英期待视野”和“大众期待视野”。从而使得他的作品能够吸引大量观众。 其次是诺兰电影“迷影”现象产生的社会时代维度。诺兰电影的“迷影”现象发生于21世纪,因此21世纪人类所经历的社会和文化的转变,必然会对其造成影响。其中,多年以来好莱坞电影的全球化策略,在世界范围内,改变了大量观众的审美心理,从而为诺兰电影的跨文化接受培植了深厚的土壤;互联网的普及,助力了诺兰电影的传播,使其在影迷之中获得了更高的知名度;大众传媒,竭力地把诺兰塑造为一个电影天才,这加深了观众对他的钦佩;而知识大众化,填平了精英和大众之间的鸿沟,使得“迷影”这种带有精英属性的文化行为,变得越来越大众化。 研究诺兰电影的“迷影”现象的成因,有助于把握“迷影”文化和了解电影受众,同时发现诺兰电影成功的要素。
外文摘要:
“Cinephilia” refers to people's infatuation with film. The phenomenon of “cinephilia” was born almost at the same time as film. With the development of world film over 100 years, “cinephilia” has increasingly become a global and popular cultural phenomenon. However, the research on the phenomenon of “cinephilia” is always at the edge of the academic circle. So far, only a handful of relevant literatures can be found in China, and the research Angle is relatively single. Most of them focus on the macro level of the phenomenon of “cinephilia” and lack of case study. Christopher Nolan is considered one of the mostpopular directors in Hollywood since the 21st century. Its worldwide “cinephilia” group, both large and fanatical, is the unity of typicality and particularity. This paper discusses the causes of phenomenon of "cinephilia" in Nolan's filmsfrom two dimensions. The first is the textual dimension of Nolan's films. Nolan can obtain audience's worship, ultimately, because he has occurred between the film and the audience emotional/emotional resonance or identity, therefore, this paper argues that Nolan who can inspire audiences element in the film, is the fan of “cinephilia” the main reason for the phenomenon, the fan of “cinephilia effect” is not only the resonance mechanism. This paper analyzes the “cinephilia effect” in Nolan's films from three aspects --audio-visual language, narrative mode and values. In terms of the audio-visual language of Nolan's films, “cinephilia effect” is manifested as “dark tone”, “visual spectacle” and “effect of music created by Hans” . At the narrative level, the “cinephilia effect” is manifested as “Narrative labyrinth”, “the story core of classicism”, “introduction to science and the strong logic of the story”. There are also values of the “cinephilia effect”, on the one hand, the performance of his film in the “critical element”, on the other hand, the performance of the “compromise element”. In general, Nolan's films reflect a kind of “reconciliatory” creative thinking. This “reconciliatory” creative thinking has a good balance between “elite expectation vision” and “public expectation vision”. Thus, his works can attract a large number of audiences. Secondly, the social era dimension of Nolan's film “cinephilia” phenomenon. Nolan's film “cinephilia” phenomenon occurred in the 21st century, so the 21st century human experience of social and cultural changes, will inevitably have an impact on it. Among them, the globalization strategy of Hollywood films over the years has changed the aesthetic psychology of a large number of audiences worldwide, thus cultivating a deep soil for the cross-cultural acceptance of Nolan films. The popularity of the Internet has facilitated the spread of Nolan's films and made them more well-known among fans. The mass media, in its efforts to portray Nolan as a cinematic genius, deepened the audience's admiration for him; The popularization of knowledge filled the gap between the elite and the public, and made “cinephilia”, a cultural behavior with the attribute of elite, more and more popular. The study of the causes of Nolan's film “cinephilia” is helpful to grasp the "cinephilia" culture and understand the film audience, as will as find out the elements of Nolan's film success.
参考文献总数:

 0    

馆藏号:

 硕130300/19006    

开放日期:

 2020-07-09    

无标题文档

   建议浏览器: 谷歌 360请用极速模式,双核浏览器请用极速模式